Tag Archives: peaceful guitar music

LIVE 115 • Mino’aka (Alt Take)

Here’s an alternate take of Keola Beamer’s Mino’aka (Smile), from his awesome Soliloquy album.  Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen.  Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book.  In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key.  Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 117 • Makalawena (alternate take)

Here is an alternate take of “Makalawena,” an original song I named after a charmingly beautiful and relatively isolated beach on the Kona Coast.  Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point.  The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park.  I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay.  Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot.  The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.  

LIVE 108 • Wonderful Tonight Remix

Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight.  Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison.  This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years.  In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings.  Hope you enjoy it.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.

LIVE 097 • Kaiminani Slack Key (Alt Take)

Here is an alternate take of my original slack key song, “Kaiminani Slack Key.”  The song is named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii.  Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively).  It also runs through the Kona Palisades neighborhood where I lived for a number of years as  a child.  Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots.  We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.  

LIVE 089 • Bumble Bee Slack Key

Demo recording of original song Bumble Bee Slack Key, inspired in part by the nalo meli, honey bees buzzing about their business. I wanted a song that was both lively and mellow and think I achieved it. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 12/16/07.

LIVE 071 • Green Tea (Fingerstyle Improv)

“Green Tea” is a fingerstyle improvisation based on the idea of toying with certain oft used open tuning tropes and seeing how they could be morphed. Listening back, I enjoy the sound of the dreadnaught guitar I recorded it on, even though I have been using predominantly smaller bodied guitars for the last 4-5 years or so. While small bodied guitars have a great balance that is perfect for many situations, sometimes there’s just something nice about the sound of a big boomy acoustic box. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 12/14/07.

LIVE 069 • Kailua Bay Blues

Today’s tune from the vaults is a recording of a slack key song I wrote and called “Kailua Bay Blues.” I spent a lot of time as a kid swimming in the waters of historic and majestic Kailua Bay, the waterfront area of ‘downtown’ Kailua-Kona on the Big Island of Hawaii. The bay is surrounded by historic residences once occupied by the Hawaiian Monarchy, hotels, restaurants, and usually someone fishing off the seawall. The area also hosts the swim and finish line for the Ironman World Championship triathlon. The waters of Kailua Bay, as well as the sky above, can have many different shades of blue – thus a double meaning for this bluesy slack key song’s title. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Kailua-Kona, Hawai’i, 9/13/07.  


LIVE 090 • Moonglow (Alternate Take)

Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 084 • Kaiminani Slack Key

Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.