Here’s an alternate take of my arrangement of the Springsteen classic I’m on Fire. This is a really cool little song – almost a sketch at under 3 minutes long, but it really creates a great atmosphere in that short amount of time. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i 2/26/15.
Here is a fingerstyle cover of “Every Breath You Take,” the hypnotic signature tune from The Police. Many stories surround the writing, recording, and subsequent success of the song – for example one interesting tidbit is that Sting apparently wrote the song while sitting at Ian Fleming’s writing desk on his famous Goldeneye estate in Jamaica. With its classic guitar part, “Every Breath” has a mellow / dreamy feel seemingly at odds with its borderline creepy lyrics – though some may find the song is a tad less sinister as an instrumental 🙂 Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 8/25/14.
Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.
Here is an alternate take of my fingerstyle arrangement of Harvest Moon, the titular song from the great early 90’s Neil Young album. In era when some of his peers were merely coasting along, Neil was doing some of his best work. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i 9/7/15.
Here’s a recording of my slack key song Fronds in the Wind at Wai’alae Beach Park in Kahala. Appropriately, it was a windy day, but nice and the park was not super crowded. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir strings, ES1) direct through a Boss DD-2 delay pedal, in Honolulu, Hawaii.
This lesson shows you how to tune your guitar to Drop D tuning, which from low to high (in pitch) is D-A-D-G-B-E. Drop D is the most common alternate tuning – any tuning other than Standard tuning – and differs from standard only on the sixth string, which is tuned down (or dropped) to D. Open D is great for playing songs in the keys of D, A, and G. The tuning has been used by all types of players in all genres for all types of songs, but folkies and hard rock/metal people probably use it the most. You also see Drop D used in a decent number of guitar arrangements in classical music.
This lesson shows you how to play some chords in Drop D tuning, including how to adapt shapes you already know from standard tuning. Basically, notes you see on the sixth string in standard tuning are moved up two frets when you’re tuned to Drop D. This can mean slightly revoicing the chord – for example, leaving the 5th string out of some common chord voicings.
Here is an alternate take of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.
Slack Key No. 1 is a classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.
Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and an Ear Trumpet Labs Edwina microphone.