Tag Archives: open tunings

LIVE 109 • Banyan (Alternate Take)

Here is an alternate take of my song “Banyan” (a/k/a “Banyans,” or “Banyan Tree Slack Key”), a slack key style song I wrote years ago on nylon string guitar.  I used to play my gut string ‘beach’ guitar (an old Ibanez) around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport.  So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even majestic banyan trees in general.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 100 • Jewel Ponds

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.  These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.  Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.  There can be no denying the strange, quiet magic of Hawai’i’s  anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

LIVE 104 • Ki Ho’alu

Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.”  I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.  My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.  

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 098 • Iris (912ce)

Here’s a version of my song Iris recorded on the 912ce.  Iris has a lot of harmonics, which creates a light, chimey atmosphere.  The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song.  Hope you enjoy. 

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 096 • Sí Bheag, Sí Mhór (Taylor 912ce)

Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan.  This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 090 • Moonglow (Alternate Take)

Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

GEAR 516 • Koa as a Tonewood

Today we explore the use of Hawaiian koa as a tonewood, also discussing the wood’s origins in mauka forests in Hawai’i, its historical uses in native Hawaiian culture to modern day usage, and forestry stewardship.  Koa is a bright, relatively dry tonewood with punchy low-mids; clear, sparkly highs; and sweet chiming overtones.  Not only is koa a good sounding wood with a strong heritage, but it is also a beautiful wood that can exhibit stunning figuring.  Koa guitars are excellent for jazz, folk and rootsy fingerstyle, and slack key among other applications.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

GEAR 514 • Taylor 912ce Review and Demo

The Taylor 912ce is an easy to play guitar with a balanced eq that is ideal for fingerstyle or light strumming. The Grand Concert body gives it a balanced EQ, the advanced performance bracing and vibrant top give it a clear, articulate speaking voice, and the higher grade rosewood back and sides add complexity and richness to both single notes and chords. Gotoh 510 tuners offer greater accuracy and tuning stability – a welcome upgrade to those who use a lot of open or alternate tunings. With the addition of a beveled armrest, the compact guitar is the perfect companion for hours of comfortable play.
Of course, people often notice the cosmetics of the 900 series first, mainly the upgraded inlay work on the headstock, fretboard, and in the rosette & soundboard trim. Yet the inlay work is more subdued than previous incarnations of the 900 series and the upgrades are more tasteful than showy. The guitar does indeed look great, but more importantly it plays and sounds even better. In short, if you’re looking for a small-bodied guitar with upgraded features, the 912ce is a great choice.

Sound demos recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and an Ear Trumpet Labs Edwina a Neumann TLM 102 microphone.

LIVE 088 • Auld Lang Syne (Alternate Take, Remix)

Here are an alternate take and a remix of my fingerstyle guitar arrangement of Auld Lang Syne. It’s a slack key tinged version with an added bridge/transition, but otherwise follows the familiar melody closely.

Remix of original post:

Alernate take:

Happy New Year!

Both takes recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb 80/20 Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 12/30/14.