Tag Archives: open tunings

GEAR 514 • Taylor 912ce Review and Demo

The Taylor 912ce is an easy to play guitar with a balanced eq that is ideal for fingerstyle or light strumming. The Grand Concert body gives it a balanced EQ, the advanced performance bracing and vibrant top give it a clear, articulate speaking voice, and the higher grade rosewood back and sides add complexity and richness to both single notes and chords. Gotoh 510 tuners offer greater accuracy and tuning stability – a welcome upgrade to those who use a lot of open or alternate tunings. With the addition of a beveled armrest, the compact guitar is the perfect companion for hours of comfortable play.
Of course, people often notice the cosmetics of the 900 series first, mainly the upgraded inlay work on the headstock, fretboard, and in the rosette & soundboard trim. Yet the inlay work is more subdued than previous incarnations of the 900 series and the upgrades are more tasteful than showy. The guitar does indeed look great, but more importantly it plays and sounds even better. In short, if you’re looking for a small-bodied guitar with upgraded features, the 912ce is a great choice.

Sound demos recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and an Ear Trumpet Labs Edwina a Neumann TLM 102 microphone.

LIVE 088 • Auld Lang Syne (Alternate Take, Remix)

Here are an alternate take and a remix of my fingerstyle guitar arrangement of Auld Lang Syne. It’s a slack key tinged version with an added bridge/transition, but otherwise follows the familiar melody closely.

Remix of original post:

Alernate take:

Happy New Year!

Both takes recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb 80/20 Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 12/30/14.

LIVE 084 • Kaiminani Slack Key

Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 048 • Slack Key #1 by Sonny Chillingworth

Slack Key No. 1 is a classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 057 • Wake Up Slack Key

Wake Up Slack Key (also known as Ho’ala Ki Ho’alu) was one of the first slack key style songs I wrote. It stayed in my set for a number of years, though I haven’t played it much lately. This demo was an early version of the song recorded not long after I bought my first Taylor on eBay, a 310ce that became my main guitar for 9 years. This take among the others in my archive really captures the spirit of the tune. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) in Kailua-Kona, Hawai’i, 5/13/06.

LIVE 047 • Keiki Slack Key on Steel String Guitar

Not long ago, I posted a nylon string version of the Ray Kane classic “Keiki Slack Key.” Here is a similar version recorded around the same time, but on steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. I never got to take a lesson from Ray, though I did get to speak to him and his wife Elodia on the phone once, not long before he passed – a cherished memory. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 044 • Makalawena – Slack Key Guitar

I named this seemingly easygoing yet still restive song after a charmingly beautiful and relatively isolated beach on the Kona Coast. Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point. The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park. I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay. Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot. The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 043 • Earlybird Sunrise

Today’s song is a demo from years back called “Earlybird Sunrise.” Earlybird is a fingerstyle song with an expansive palette and ambitions of invoking a wide landscape. I also thought it would be fun to pull an old photo of myself – replete with long hair – from around the time I recorded this song. I have my old Taylor 310ce in the photo – a trusty guitar – but Earlybird was probably recorded with a budget model from another brand that was nonetheless fairly playable. It’s in an alternate tuning that I haven’t used since and I can’t recall how to play the song, but I still find it fun to listen to and hope you will enjoy as well.

LIVE 046 • At Dawn – My Morning Jacket

Today’s song from the vaults is a cover of My Morning Jacket’s “At Dawn.” The song and its eponymous album came to me at a formative period, becoming both anthem and inspiration for pursing musical goals in life. Sometimes you wonder if music guides you in a certain direction, finds you at the right moment, or if you attract it when you need change and encouragement. There’s a Nick Drake style intro not on the original cut, but it seemed to work. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, 9/20/14.

OPEN 104 • How to Tune Your Guitar to Double Drop D Tuning

This lesson shows you how to tune your guitar to Double Drop D tuning (DADGBD), how to check Double Drop D tuning with harmonics, how to approach playing some “CAGED” style chords in the tuning, similarities with other tunings such as Open G and Drop D, and talks about when you might want to use Double Drop D tuning.