Tag Archives: peace

LIVE 050 • Moonglow

Moonglow is a dreamy fingerstyle song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. Recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 066 • Brownsboro Road, Original Fingerstyle Guitar

Today’s song from the vaults, Brownsboro Rd., is one of the earlier fingerstyle songs that I wrote. The recording was made in an attic apartment with the windows open on a warm night and features the sound of crickets in the background. Brownsboro Road was the second track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

LIVE 061 • New Day

Here’s a demo of a song I wrote on electric guitar a while back. Then, as now, I played and recorded mostly acoustic fingerstyle tunes. This is one of a relatively few demos I made on electric guitar from that period in time. Hope you enjoy.

Setup is a late 90’s Fender Jimmie Vaughan Stratocaster, through a Keeley tubescreamer (either a TS9 or a TS808) into a 1968 Fender VibroChamp. Recorded in Kailua-Kona, Hawaii on 5/3/06.

LIVE 058 • Raindrops (Original Fingerstyle)

Today’s song from the vaults, Raindrops, starts with the eponymous sound effect of individual raindrops made on the guitar. The rest of the song features recordings I made of light rain and a storm as a backdrop for the song. Raindrops was the closing track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

GEAR 512 • Taylor 414ce-NR Review

This video gives an overview of my Taylor 414ce-NR (sorry, forgot to mention the “R” in the video, which designates the rosewood back/sides), along with some sound samples. Taylor makes nylon string guitars in a variety of wood combinations, but just two sizes: Grand Concert (smallest body size) and Grand Auditorium (the next size up from Grand Concert, and their most popular body style in general). Though I often prefer Grand Concert Taylors for steel string work, I chose this Grand Auditorium size model as my nylon string guitar for a couple of reasons. First, the larger GA size worked well with the rosewood back/sides to give a nice, rich bass sound. Second, I do like to use notes on the upper frets, and Taylor’s nylon Grand Auditoriums feature 14 fret necks. With the cutaway, that gives ample access to the upper frets. By comparison, the GC nylon strings are only offered in 12 fret configuration; while they usually come with a cutaway, you also lose a few of the upper frets with that design. Overall, I have found the 414ce-NR to be a practical, playable, and enjoyable way to add a nylon sound to my palette.
Note – the song featured at the beginning/end of the video is an adaptation of Leonard Kwan’s famous slack key arrangement of Silver Threads Among the Gold, which was also quoted in the intro to Country Comfort’s Waimanalo Blues, another beloved song in Hawaii.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 049 • Long Mountain Rag

Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and an Ear Trumpet Labs Edwina microphone.

LIVE 054 • Jonquils of Spring

An improvised portrait, Jonquils of Spring features a melody outlined with harmonics and played with a slightly wobbly tempo. A cool sunny spring day helped bring out the mood, and relatively fresh set of strings helped bring out the chimes. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 047 • Keiki Slack Key on Steel String Guitar

Not long ago, I posted a nylon string version of the Ray Kane classic “Keiki Slack Key.” Here is a similar version recorded around the same time, but on steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. I never got to take a lesson from Ray, though I did get to speak to him and his wife Elodia on the phone once, not long before he passed – a cherished memory. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

GEAR 509 • Taylor Grand Concert Guitars (feat. 912ce)

Today, we explore the essentials and benefits of Taylor’s smallest full size guitar, the Grand Concert (GC for short). Grand Concert guitars have a model number that ends in “2” such as the 912ce featured here, and are offered in a variety of styles.

The advantages of Grand Concert guitars is that they are super comfortable, super playable, and super easy to EQ alone or in a mix. These are short scale guitars, which means easier reaches because the frets are slightly closer together and an easier playing feel because of slightly lower string tension. Soundwise, the Grand Concert has a wonderfully balanced EQ and controlled overtones that make it perfect for fingerstyle and recording applications. Grand Concerts sound great on their own and also sit well in a mix with other instruments. Also note, this is Taylor’s featured size for 12 fret models, where the neck joins the body at the 12th rather than the 14th fret. The 12 fret models have a punchier sound that is perfect for roots music.

Overall, Grand Concerts are perfect for fingerstyle and light strumming. They are comfortable to play, and their focused and articulate sound make them great guitars for recording and stage use. Of course they’re also very nice to play at home.

LIVE 046 • At Dawn – My Morning Jacket

Today’s song from the vaults is a cover of My Morning Jacket’s “At Dawn.” The song and its eponymous album came to me at a formative period, becoming both anthem and inspiration for pursing musical goals in life. Sometimes you wonder if music guides you in a certain direction, finds you at the right moment, or if you attract it when you need change and encouragement. There’s a Nick Drake style intro not on the original cut, but it seemed to work. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, 9/20/14.