Tag Archives: peace

LIVE 083 • Wonderful Tonight (Alternate Take)

Here is an alternate take of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.

LIVE 082 • Greasy Strut (Electric Guitar Demo)

Here’s a demo of a song I wrote eons ago called “Greasy Strut.” Probably recorded around 2003-04, featuring a Fender Jimmie Vaughan Stratocaster, possibly also a Peavey T-25. Had forgotten about this one; recently found the song while cleaning out an old hard drive. Not really the kind of music I’m playing these days, but it was fun to hear that harmony part again. Hope you enjoy.

LIVE 081 • Embryonic Journey (Jorma Kaukonen / Jefferson Airplane)

From the uber psychedelically titled Surrealistic Pillow album, Jefferson Airplane guitarist Jorma Kaukonen’s solo fingerpicking tour de force Embryonic Journey highlights his country blues influences and provides a rootsy counterpoint to far out songs like White Rabbit.  Though I don’t listen much to the rest of the album, Embryonic Journey stayed on rotation in my car for a number of years – sometimes when I was in the mood I would listen on repeat four or five times in a row.  It seems like this song was often playing when I was cutting over from Waialae to cruise on down Kapahulu, stopping for groceries at Kokua Co-op or Down To Earth Moiliili, or hanging out at Kapi’olani Park.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and an Ear Trumpet Labs Edwina microphone.  

LIVE 050 • Moonglow

Moonglow is a dreamy fingerstyle song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. Recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 066 • Brownsboro Road, Original Fingerstyle Guitar

Today’s song from the vaults, Brownsboro Rd., is one of the earlier fingerstyle songs that I wrote. The recording was made in an attic apartment with the windows open on a warm night and features the sound of crickets in the background. Brownsboro Road was the second track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

LIVE 061 • New Day

Here’s a demo of a song I wrote on electric guitar a while back. Then, as now, I played and recorded mostly acoustic fingerstyle tunes. This is one of a relatively few demos I made on electric guitar from that period in time. Hope you enjoy.

Setup is a late 90’s Fender Jimmie Vaughan Stratocaster, through a Keeley tubescreamer (either a TS9 or a TS808) into a 1968 Fender VibroChamp. Recorded in Kailua-Kona, Hawaii on 5/3/06.

LIVE 058 • Raindrops (Original Fingerstyle)

Today’s song from the vaults, Raindrops, starts with the eponymous sound effect of individual raindrops made on the guitar. The rest of the song features recordings I made of light rain and a storm as a backdrop for the song. Raindrops was the closing track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

GEAR 512 • Taylor 414ce-NR Review

This video gives an overview of my Taylor 414ce-NR (sorry, forgot to mention the “R” in the video, which designates the rosewood back/sides), along with some sound samples. Taylor makes nylon string guitars in a variety of wood combinations, but just two sizes: Grand Concert (smallest body size) and Grand Auditorium (the next size up from Grand Concert, and their most popular body style in general). Though I often prefer Grand Concert Taylors for steel string work, I chose this Grand Auditorium size model as my nylon string guitar for a couple of reasons. First, the larger GA size worked well with the rosewood back/sides to give a nice, rich bass sound. Second, I do like to use notes on the upper frets, and Taylor’s nylon Grand Auditoriums feature 14 fret necks. With the cutaway, that gives ample access to the upper frets. By comparison, the GC nylon strings are only offered in 12 fret configuration; while they usually come with a cutaway, you also lose a few of the upper frets with that design. Overall, I have found the 414ce-NR to be a practical, playable, and enjoyable way to add a nylon sound to my palette.
Note – the song featured at the beginning/end of the video is an adaptation of Leonard Kwan’s famous slack key arrangement of Silver Threads Among the Gold, which was also quoted in the intro to Country Comfort’s Waimanalo Blues, another beloved song in Hawaii.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 049 • Long Mountain Rag

Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and an Ear Trumpet Labs Edwina microphone.

LIVE 054 • Jonquils of Spring

An improvised portrait, Jonquils of Spring features a melody outlined with harmonics and played with a slightly wobbly tempo. A cool sunny spring day helped bring out the mood, and relatively fresh set of strings helped bring out the chimes. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.