Tag Archives: Taylor guitars

LIVE 049 • Long Mountain Rag

Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 054 • Jonquils of Spring

An improvised portrait, Jonquils of Spring features a melody outlined with harmonics and played with a slightly wobbly tempo. A cool sunny spring day helped bring out the mood, and relatively fresh set of strings helped bring out the chimes. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 047 • Keiki Slack Key on Steel String Guitar

Not long ago, I posted a nylon string version of the Ray Kane classic “Keiki Slack Key.” Here is a similar version recorded around the same time, but on steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. I never got to take a lesson from Ray, though I did get to speak to him and his wife Elodia on the phone once, not long before he passed – a cherished memory. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 045 • Transition One (3/16/09)

Here is an improvisatory piece recorded for a project I had a few years back. The idea behind the project, called “Awake Again,” was to have a handful of songs that were connected by mostly shorter and improvisatory ‘transitions’ that would act as both glue and palette cleanser between the slightly more structured songs. The wallpaper shows me with my old Taylor 310ce that I used to record this song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/16/09.

GEAR 509 • Taylor Grand Concert Guitars (feat. 912ce)

Today, we explore the essentials and benefits of Taylor’s smallest full size guitar, the Grand Concert (GC for short). Grand Concert guitars have a model number that ends in “2” such as the 912ce featured here, and are offered in a variety of styles.

The advantages of Grand Concert guitars is that they are super comfortable, super playable, and super easy to EQ alone or in a mix. These are short scale guitars, which means easier reaches because the frets are slightly closer together and an easier playing feel because of slightly lower string tension. Soundwise, the Grand Concert has a wonderfully balanced EQ and controlled overtones that make it perfect for fingerstyle and recording applications. Grand Concerts sound great on their own and also sit well in a mix with other instruments. Also note, this is Taylor’s featured size for 12 fret models, where the neck joins the body at the 12th rather than the 14th fret. The 12 fret models have a punchier sound that is perfect for roots music.

Overall, Grand Concerts are perfect for fingerstyle and light strumming. They are comfortable to play, and their focused and articulate sound make them great guitars for recording and stage use. Of course they’re also very nice to play at home.

GEAR 507 • My Taylor 412ce-LTD (Rosewood / Spruce)

After doing several tangential videos on the acoustic guitar I’ve been using for performances, lessons, etc. on this channel (see links below), I thought it would be fun to do an overview of the guitar and its features for those who are curious. The guitar is a Taylor 412ce, a Fall Limited Edition with what was then a non-standard wood combination of Rosewood/Spruce (400 series typically used Ovangkol/Spruce) that also featured notch diamond inlays not normally used on 400 series guitars. In addition to the grand concert size body and short scale length, I also touch on how the top has aged, the addition of Gotoh 510 tuners, and replacing the nut / saddle with another Tusq set.

LIVE 043 • Earlybird Sunrise

Today’s song is a demo from years back called “Earlybird Sunrise.” Earlybird is a fingerstyle song with an expansive palette and ambitions of invoking a wide landscape. I also thought it would be fun to pull an old photo of myself – replete with long hair – from around the time I recorded this song. I have my old Taylor 310ce in the photo – a trusty guitar – but Earlybird was probably recorded with a budget model from another brand that was nonetheless fairly playable. It’s in an alternate tuning that I haven’t used since and I can’t recall how to play the song, but I still find it fun to listen to and hope you will enjoy as well.

LIVE 046 • At Dawn – My Morning Jacket

Today’s song from the vaults is a cover of My Morning Jacket’s “At Dawn.” The song and its eponymous album came to me at a formative period, becoming both anthem and inspiration for pursing musical goals in life. Sometimes you wonder if music guides you in a certain direction, finds you at the right moment, or if you attract it when you need change and encouragement. There’s a Nick Drake style intro not on the original cut, but it seemed to work. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, 9/20/14.

OPEN 104 • How to Tune Your Guitar to Double Drop D Tuning

This lesson shows you how to tune your guitar to Double Drop D tuning (DADGBD), how to check Double Drop D tuning with harmonics, how to approach playing some “CAGED” style chords in the tuning, similarities with other tunings such as Open G and Drop D, and talks about when you might want to use Double Drop D tuning.

CORE 301 • Focusing on Dynamics for Guitar

One sure fire way to improve your playing or bring new life to your repertoire is to focus more on dynamics. Most often, we think about volume when speaking of dynamics – softer passages within a song versus a louder climax or even softer songs versus louder ones. I also like to think about other aspects such as:

– How you play a chord or phrase – with flowing tones or sharp staccato?
– Where on the fretboard you want to play a phrase – low on the neck, high on the neck, do you want to use open strings or harmonics?
– The balance in EQ between bass and treble, particularly with fingerstyle guitar

Of course there are many more concepts that fall under or are tangential to dynamics. Jimmy Page often talked about dynamics in terms of “light and shade,” which is a great metaphor to apply to your sonic palette on the guitar. And really, for such a compact instrument, the guitar has a very wide range of sounds. Thinking about all of the sounds you can pull from your guitar will give your performances more impact and make you a better player.