Tag Archives: big island

LIVE 114 • Slippery Slack Key (310ce)

Years back I was working on some turnaround ideas when I wrote “Slippery Slack Key.”  Also known as the “Slippery Fish Slack Key,” this is a fast paced and fun to play slack key song that saw various incarnations in my set a few years back.  The slippery runs were inspired in part by the fish in the waters off Kailua-Kona.  Kona’s world famous fishing was also brought to mind frequently by my landlord at the time I wrote this song, a local fish boat captain named Chuck.  Hope you enjoy.

Recorded with a Taylor 310ce (Sapele/Spruce, Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Kailua-Kona, Hawai’i, 9/20/07.

77 Minutes Hawaiian Slack Key Guitar Instrumental Music

For your listening pleasure here is a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumentals.   This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing.  I like to listen to  some of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances.  Hope you enjoy.

LIVE 112 • Saddle Up! Slack Key

Here is a song I wrote years back called ‘Saddle Up! Slack Key.’  It pays tribute to Hawaii’s unique Paniolo cowboy culture, including the beautiful Pa’u riders I would see at the Kona Coffee Festival Parade among other events. Hope you enjoy.

Recorded with a Taylor 310ce (Sapele/Spruce, Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 3/5/08.

LIVE 107 • Kuakini Slack Key

Here is a demo of a song called Kuakini Slack Key, named after Kuakini Highway (which was in turn named after former governor of Hawai’i island and builder of Hulihe’e Palace, John Adams Kuakini).  I wrote this in a friends’ condo which was off Kuakini, not far from Palani Road and the Kailua pier.  As a kid, I also lived for several years in a home farther south that was just off Kuakini. 

This is one of the few recordings done with a Larrivee parlor guitar I used to own – a rosewood / spruce P-09, which I have since sold.  There’s also a fun little manual fade at the end.  Hope you enjoy.

Recorded with a Larrivée P-09 Parlor guitar (Rosewood / Sitka Spruce) and a matched stereo pair of Shure KSM 141 microphones in Kailua-Kona, Hawai’i, 8/27/07.   

LIVE 100 • Jewel Ponds

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.  These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.  Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.  There can be no denying the strange, quiet magic of Hawai’i’s  anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

LIVE 099 • Mauna Loa Slack Key

Here is my cover of “Mauna Loa Slack Key,” one of the relatively few surviving original songs from legendary slack key kupuna Fred Punahoa.  Though “Uncle” Fred never made a full album, he did make a notable appearance on the Waimea Music Festival album which features Mauna Loa Slack Key along with another of Fred’s originals, “Punahoa Special.”  Uncle Fred’s legacy also includes fostering amazing Big Island talents of the next generation such as Ledward Ka’apana and Sonny Lim.  Like the Punahoa Special, Mauna Loa Slack Key is an often covered song in the slack key world.  Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/11/07.

LIVE 092 • Opihi Moe Moe (Taylor 310ce)

Here’s a recently found cover I did of Leonard Kwan’s signature tune, Opihi Moe Moe. One of the most popular songs in the slack key repetoire, this song has been covered perhaps most prominently by Led Kaapana; in fact, Chet Atkins even recorded a version after hearing it from Leonard on a visit to Hawai’i. Notably, Leonard himself recorded several versions of this song including variations such as Opihi Bounce. Opihi Moe Moe is a fun song to play that lends itself to little variations, and everyone seems to bring something different to this deceptively simple song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 1/4/2008.

LIVE 094 • Gabby Style Hula Medley

Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby).  Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album.  Per below, my recording of the medley here includes a slightly different lineup of songs.  Hope you enjoy.

Medley:
Intro / Nani Wale Li’hue
Wai’alae
U’lili E
Aloha ‘Oe

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, in fall of 2007.

LIVE 089 • Bumble Bee Slack Key

Demo recording of original song Bumble Bee Slack Key, inspired in part by the nalo meli, honey bees buzzing about their business. I wanted a song that was both lively and mellow and think I achieved it. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 12/16/07.

LIVE 071 • Green Tea (Fingerstyle Improv)

“Green Tea” is a fingerstyle improvisation based on the idea of toying with certain oft used open tuning tropes and seeing how they could be morphed. Listening back, I enjoy the sound of the dreadnaught guitar I recorded it on, even though I have been using predominantly smaller bodied guitars for the last 4-5 years or so. While small bodied guitars have a great balance that is perfect for many situations, sometimes there’s just something nice about the sound of a big boomy acoustic box. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 12/14/07.