Tag Archives: acoustic guitar

LIVE 100 • Jewel Ponds

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.  These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.  Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.  There can be no denying the strange, quiet magic of Hawai’i’s  anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

LIVE 103 • Bron-Yr-Aur (912ce)

Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This version was recorded on my Taylor 912ce.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone. 

LIVE 098 • Iris (912ce)

Here’s a version of my song Iris recorded on the 912ce.  Iris has a lot of harmonics, which creates a light, chimey atmosphere.  The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song.  Hope you enjoy. 

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

OPEN 105 • How to Tune Your Guitar to Drop D Tuning

This lesson shows you how to tune your guitar to Drop D tuning, which from low to high (in pitch) is D-A-D-G-B-E.  Drop D is the most common alternate tuning – any tuning other than Standard tuning – and differs from standard only on the sixth string, which is tuned down (or dropped) to D.  Open D is great for playing songs in the keys of D, A, and G.  The tuning has been used by all types of players in all genres for all types of songs, but folkies and hard rock/metal people probably use it the most.  You also see Drop D used in a decent number of guitar arrangements in classical music.

OPEN 106 • Playing Chords in Drop D Tuning

This lesson shows you how to play some chords in Drop D tuning, including how to adapt shapes you already know from standard tuning.  Basically, notes you see on the sixth string in standard tuning are moved up two frets when you’re tuned to Drop D.  This can mean slightly revoicing the chord – for example, leaving the 5th string out of some common chord voicings.  

LIVE 096 • Sí Bheag, Sí Mhór (Taylor 912ce)

Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan.  This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 090 • Moonglow (Alternate Take)

Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

GEAR 516 • Koa as a Tonewood

Today we explore the use of Hawaiian koa as a tonewood, also discussing the wood’s origins in mauka forests in Hawai’i, its historical uses in native Hawaiian culture to modern day usage, and forestry stewardship.  Koa is a bright, relatively dry tonewood with punchy low-mids; clear, sparkly highs; and sweet chiming overtones.  Not only is koa a good sounding wood with a strong heritage, but it is also a beautiful wood that can exhibit stunning figuring.  Koa guitars are excellent for jazz, folk and rootsy fingerstyle, and slack key among other applications.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.