Tag Archives: original fingerstyle

LIVE 171 • Ohio River Rag (Alt Take)

Fingerstyle, Liveacoustic blues, acoustic guitar, blue sky guitar, Elixir Polyweb, fingerstyle blues, fingerstyle guitar, guitar instrumental, ksm141, nick borho, ohio river, open G, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, sapele tone, shure, taylor 310ce

Here is another take of “Ohio River Rag,” which was recorded as part of my Awake Again album project. While revisiting that project and remixing the album (the full album is on this page), I came across some alternate takes of a couple of songs that I thought it would be fun to publish; this is one of those songs. The Awake Again album featured a good mix of both Hawaiian Ki Ho’alu / slack key and traditional acoustic blues influences, though I tend to think of songs like this as more of a blues number.

Recorded with a Taylor 310ce (Sapele/Spruce, Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i.

LIVE 163 • Acacia Improv (K22ce)

Liveacoustic guitar, blue sky guitar, fingerstyle guitar, Hawaii, hawaiian guitar, Hawaiian koa, ki ho’alu, koa taylor, nahenahe, Neumann TLM 103, nick borho, open G, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, Slack Key, Taro Patch, taylor grand concert, Taylor k22ce

Acacia Improv is an outtake of some improvisation done one day while I was recording “Acacia Just Noticed.” That song as well as this short little improv were meant to highlight the koa guitar’s warm low-mid tone with a touch of sparkle in the treble register, to bring out the characteristic warmth and sweetness of the wood. Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 103 microphone.

LIVE 162 • Acacia Just Noticed (K22ce)

Fingerstyle, Liveacoustic guitar, blue sky guitar, fingerstyle guitar, Hawaiian koa, koa taylor, Line Audio CM4, nick borho, open G, open tunings, original fingerstyle, taylor grand concert, Taylor k22ce

Acacia Just Noticed came to me one day while improvising on my koa guitar. Once aged a little, koa (part of the Acacia family, thus the titular play on words) imparts a warm low-mid tone with a touch of sparkle. Sometimes, depending on how you’re playing, koa can be a little thin and bright, but here I’m playing without a pick and using part of the pads of my fingers to soften things up – especially useful with some of the snappy parts here. Along with that, I feel like the the two sections of this song are played in registers that particularly lend themselves to bringing out warmth and sweetness of koa. The overall combination of these elements melds together in a way that I felt made the wood shine through, thus the nod in the title. Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 small diaphragm condenser microphone.

LIVE 167 • After the Solstice (Early Take)

Blue Sky Guitar, Fingerstyle, Liveacoustic guitar, blue sky guitar, fingerstyle guitar, guitar harmonics, Neumann TLM 102, nick borho, open tunings, original fingerstyle, peaceful guitar, playing a melody with harmonics, relaxing guitar, Taylor 912ce, taylor grand concert

After the Solstice and its harmonic laden chorus came to me one day after a winter solstice. It’s a quiet, peaceful time of year where the days are gradually getting longer and your mind turns to the hope of a new cycle. (I think it’s also fine for the already long days of summer too though.) Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 145 • Morning in Paia (Original Fingerstyle)

Fingerstyle, Liveacoustic guitar, Anthony’s Coffee, Baldwin Avenue, blue sky guitar, Café des Amis, fingerstyle guitar, Flatbread Company, Hana Highway, Hawaii, hawaiian guitar, Hawaiian koa, Island Fresh Café, koa taylor, Mana Foods, Maui Yoga Shale, nick borho, North Shore Maui, open tunings, original fingerstyle, paia, Paia Bay, Paia Bay Coffee, Paia Maui, peaceful guitar, relaxing guitar, taylor grand concert, Taylor k22ce, Telefunken M60

Alternately titled “Paia Morning” or “Paia Kakahiaka,” the song “Morning in Paia” began life as the harmonic laden intro/outro figure and grew into the mellow yet energetic song here. Paia Morning captures some of the mellow yet entrancing vibes of a morning in Paia, Maui: you start out strolling the sidewalks – still sparsely populated this time of day – perhaps pick up some fresh fruit from Mana Foods while catching a little bit of local news at the North Shore outpost, or head up the road a short ways to Island Fresh Café for some breakfast nosh. Next, travel back down the road to grab coffee at Paia Bay Coffee or Anthony’s, maybe taking a meditative stroll along the sand at Paia Bay before wrapping up with lunch at Flatbread Company or Café des Amis. Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Telefunken M60 small diaphragm condenser microphone.

LIVE 118 • Lily (Original Slack Key, 912ce)

Open Tunings, Slack Key, Songsacoustic guitar, blue sky guitar, fingerstyle guitar, ki ho’alu, Neumann TLM 102, nick borho, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, Slack Key, Taylor 912ce, taylor grand concert

Here is an original fingerstyle tinged slack key song I wrote a number of years ago called “Lily.” Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb HD Light strings) and a Neumann TLM 102 microphone.

LIVE 098 • Iris (912ce)

Fingerstyle, Liveacoustic guitar, blue sky guitar, nick borho, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, rosewood taylor, Taylor 912ce, taylor grand concert

Here’s a version of my song Iris recorded on the 912ce. Iris has a lot of harmonics, which creates a light, chimey atmosphere. The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song. Hope you enjoy.