Category Archives: Live

LIVE 042 • Star Waltz

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the fifth song in the set, “Star Waltz.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 041 • Magic Sands – Slack Key Guitar

Here is a slack key style tune I wrote a while back while hanging out around Magic Sands beach in Kailua Kona, Hawaii. I originally wrote it on an old nylon string guitar. While I have a recording of this song played on steel string already posted, I wanted to go back and do a recording with my nylon string Taylor as well. There aren’t many songs I like to play on both steel and nylon, but this is one of them for some reason. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 040 • Saturday Song

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the third song in the set, which I dubbed “Saturday Song.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 039 • Henry Street Slack Key

Here is a demo of a song I wrote a while back called Henry Street Slack Key – named for what was then the still developing Henry Street, which runs between Kuakini Highway and Palani Rd in Kailua-Kona, Hawaii. The street had a lot of places I went to at the time – a healthfood store, a Border’s Books (with a great music selection, in the days when CD’s ruled), Wal-Mart (a place to run into people in small town Kailua-Kona), Safeway, several coffee shops, and a Korean BBQ. This is also one of the few recordings I made with my Larrivee parlor guitar – a rosewood / sitka spruce P-09, which I have since sold. Hope you enjoy.

Recorded with a Larrivée P-09 Parlor guitar (Rosewood / Sitka Spruce) and a matched stereo pair of Shure KSM 141 microphones in Kailua-Kona, Hawai’i, 8/26/07.

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Pua Lililehua – Slack Key Guitar

LIVE 038 • Punahele – Ray Kane

Here is another Ray Kane cover – this time his classic song Punahele. According to the Dancing Cat liner notes, Punahele (“favorite” or “pet”) came to Ray “one night in 1938 at Zablan’s Beach in Nanakuli. ‘Back in those days there were no cars, it was pitch black. So I sit there in the dark in the nice cool breeze and I hear the waves bouncing on the sand and see the moonlight flicker on the water. It inspired me, something so nice. So mellow. That’s what gave me my inspiration.’”
Similar to other songs Ray composed on the beach (Keiki Slack Key for example), this mellow laid back songs exemplifies Ray’s nahenahe approach that to me represents the archetype of ‘old style’ slack key. Like Keiki Slack Key, Punahele is one of the first slack key songs I learned, and has stayed on my setlists ever since. I recently improvised a few new licks into the song, and recorded a half dozen takes – some 5-6 minutes long. I think this short three and a quarter minute version gets the point across though. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce nylon string) and a Neumann TLM 102 microphone.

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Keiki Slack Key – Ray Kane

Pua Lililehua – Slack Key Guitar

Magic Sands – Original Slack Key

LIVE 037 • Home Abroad – Slide Guitar

From the vaults, here is a slide guitar song I wrote called Home Abroad. I used to play a fair amount of slide guitar, but I don’t play it much anymore. I figured I’d either have to go all in on the slide or not, but couldn’t just dabble with it – so I decided to work on other areas instead. This is a fun leftover from when I dabbled with it though. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/18/09.

LIVE 035 • Glass Ball Slack Key / Chicken in the Straw

From the vaults, Glass Ball Slack Key is a favorite chestnut (or kukui nut) of uke players throughout the islands. Also known as “Chicken in the Straw” or “Turkey in the Straw” in Hawai’i (though different from the Bluegrass / fiddle song), this is a fun little ditty that is sure to please aunty or uncle. I learned this song watching and listening to the great Led Ka’apana (it’s also on the classic Led Live CD). Many other ukulele players have covered the song over the years as well. Hope you enjoy.

Recorded with a Koaloha Pineapple Soprano ukulele and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/6/08.

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Something – Ukulele Cover

Pua Lililehua – Slack Key Guitar

LIVE 034 • Holualoa Blues

From the vaults, here is a demo version of my tune Holualoa Blues. This song is primarily a blues piece, but with some slack key influence as well. Done in open G / taro patch tuning. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 10/11/07.

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Tranquility – fingerstyle on nylon string guitar

Pua Lililehua – Slack Key Guitar

LIVE 033 • Banks of the Ohio (+ Neumann TLM 102 & Ear Trumpet Edwina Comparison)

Here is my Clarence White inspired arrangement of the Bluegrass classic, “Banks of the Ohio,” played fingerstyle with a thumbpick (rather than flatpicked or cross-picked). I’ve uploaded two versions of this song: one was recorded with the Neumann TLM 102 microphone that I have been using for a while; the other features my new Ear Trumpet Labs Edwina mic. So if you’re interested in how these two mics sound, this provides a comparison. The Neumann is a little bit smoother to my ear, while the Edwina has a little more clarity with a slight top end boost (though not too hyped). Both are fine microphones and I look forward to continuing to record with them both.

Using the Ear Trumpet Labs Edwina microphone:

Using the Neumann TLM 102 microphone:

Both recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Fred Kelly thumbpick.

LIVE 032 • Cannonball Rag on Ukulele

From the vaults, here is a version of Cannonball Rag I improvised on the uke one day back in ’09. The uke is a little out of tune, but sometimes it’s hard to get those friction pegs to stick. Hope you enjoy.

Recorded with a Koaloha concert ukulele and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 2/3/09.

All rights reserved to this arrangement.

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Pua Lililehua – Slack Key Guitar