Category Archives: Live

LIVE 069 • Kailua Bay Blues

Today’s tune from the vaults is a recording of a slack key song I wrote and called “Kailua Bay Blues.” I spent a lot of time as a kid swimming in the waters of historic and majestic Kailua Bay, the waterfront area of ‘downtown’ Kailua-Kona on the Big Island of Hawaii. The bay is surrounded by historic residences once occupied by the Hawaiian Monarchy, hotels, restaurants, and usually someone fishing off the seawall. The area also hosts the swim and finish line for the Ironman World Championship triathlon. The waters of Kailua Bay, as well as the sky above, can have many different shades of blue – thus a double meaning for this bluesy slack key song’s title. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Kailua-Kona, Hawai’i, 9/13/07.  


LIVE 093 • Hilo Rag (Dennis Kamakahi)

Hilo Rag is a super fun tune to play from Dennis Kamakahi’s oeuvre.  Better known for lyrical songs like Koke’e, Hilo Rag makes me wish I heard more of Dennis’s instrumental work.  I was fortunate enough to meet Dennis and son David years ago and see them play, both on stage and in smaller back porch style jam sessions.  I remember Dennis dressing sharp in his kind of urban paniolo style, complete with boots and cowboy hat.  Like I say, this is such a fun song to play I can never just play it once when I’m running through songs (and will be posting an alternate take on my other channel soon).  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.  


LIVE 096 • Sí Bheag, Sí Mhór (Taylor 912ce)

Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan.  This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 090 • Moonglow (Alternate Take)

Here is an alternate take of Moonglow, a song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. More recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 067 • Waimea Ride (Slack Key Improvisation)

Today’s song from the vaults, “Waimea Ride,” is a slack key improvisation that blossoms from a familiar type of descending figure.  Though often used as part of a turnaround, this type of walk down has also been featured as a melodic device in a number of songs, most notably Leonard Kwan’s classic signature tune Opihi Moe Moe.   I also recall Ozzie Kotani using it in some of his songs.  Anyway, I thought the descending figure and overall pace of this improv might evoke the picture of a Paniolo riding downslope on horseback, ergo the title.  Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 1/11/08.

LIVE 068 • Louisville Rag

Here is a demo from the vaults of a song called “Louisville Rag” that I recorded a few years back. The idea behind the tune was to write an uptempo instrumental with a similar feel to the Nashville Skyline Rag from the eponymous Bob Dylan album. Hope you enjoy.

Recorded with a Taylor 310 in Louisville, Ky 9/28/12.

LIVE 079 • Moment in the Sun & Crossing the Field

“Moment in the Sun” and it’s companion song “Crossing the Field” were recorded as a pair of songs to set the stage for the second half of my “Awake Again” album. Following the dramatic strumming of “Make” that closed the first half of the album, “Moment” & “Field” frame the mellower vibe of the album’s remaining songs. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 4/20/09.

LIVE 078 • Outro (Awake Again)

This short piece was recorded to provide a final track for my “Awake Again” project. The outro echoes the intro’s use of harmonics and changing of the guitar’s tuning during the piece. It’s short, but provides a few sweet phrases to close the album. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 6/20/09.

LIVE 077 • Transition I (Awake Again, 3/1/09)

This is another improvisatory piece recorded for my “Awake Again” project, which included a handful of songs that were connected by mostly shorter and improvisatory ‘transitions’ such as this. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 3/1/09.