This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island. These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels. Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again. There can be no denying the strange, quiet magic of Hawai’i’s anchialine ponds.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.
Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.” I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version. My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.
Here is my cover of “Mauna Loa Slack Key,” one of the relatively few surviving original songs from legendary slack key kupuna Fred Punahoa. Though “Uncle” Fred never made a full album, he did make a notable appearance on the Waimea Music Festival album which features Mauna Loa Slack Key along with another of Fred’s originals, “Punahoa Special.” Uncle Fred’s legacy also includes fostering amazing Big Island talents of the next generation such as Ledward Ka’apana and Sonny Lim. Like the Punahoa Special, Mauna Loa Slack Key is an often covered song in the slack key world. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/11/07.
Here’s a recently found cover I did of Leonard Kwan’s signature tune, Opihi Moe Moe. One of the most popular songs in the slack key repetoire, this song has been covered perhaps most prominently by Led Kaapana; in fact, Chet Atkins even recorded a version after hearing it from Leonard on a visit to Hawai’i. Notably, Leonard himself recorded several versions of this song including variations such as Opihi Bounce. Opihi Moe Moe is a fun song to play that lends itself to little variations, and everyone seems to bring something different to this deceptively simple song. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 1/4/2008.
Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby). Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album. Per below, my recording of the medley here includes a slightly different lineup of songs. Hope you enjoy.
Demo recording of original song Bumble Bee Slack Key, inspired in part by the nalo meli, honey bees buzzing about their business. I wanted a song that was both lively and mellow and think I achieved it. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 12/16/07.
Hilo Rag is a super fun tune to play from Dennis Kamakahi’s oeuvre. Better known for lyrical songs like Koke’e, Hilo Rag makes me wish I heard more of Dennis’s instrumental work. I was fortunate enough to meet Dennis and son David years ago and see them play, both on stage and in smaller back porch style jam sessions. I remember Dennis dressing sharp in his kind of urban paniolo style, complete with boots and cowboy hat. Like I say, this is such a fun song to play I can never just play it once when I’m running through songs (and will be posting an alternate take on my other channel soon). Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.
Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement. Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.