“Hualalai Sunrise” was inspired by the morning sunrises in Kailua-Kona on the Big Island of Hawai’i. Much of North Kona – from Kalaoa where I spent much of my early childhood to Holualoa where I later lived – can see the sun shining over the top ridges of Hualalai in the morning, bathing its warm light over the slopes from the summit to the ocean.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Telefunken M60 small diaphragm condenser microphone.
Here’s an alternate version of my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which of course is the Hawaiian term for “slack key.” I probably first heard this song on the stellar “Pure Gabby” album, although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version. My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.
Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 414ce-NR nylon string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.
“Hualalai Sunrise” was inspired by the morning sunrises in Kailua-Kona on the Big Island of Hawai’i. Much of North Kona – from Kalaoa where I spent much of my early childhood to Holualoa where I later lived – can see the sun shining over the top ridges of Hualalai in the morning, bathing its warm light over the slopes from the summit to the ocean. This is an early version of this song, though I have improvised several slightly different versions since. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Telefunken M60 microphone.
Here is a version of the classic Johnny Noble song “Hula Blues” recorded on nylon string guitar. Hula Blues is a steel guitar and slack key staple – a quick check of my iTunes library shows over a dozen versions by everyone from Sol Ho’opi’i to Sonny Chillingworth, Led Ka’apana, Leonard Kwan, Bobby Ingano, as well as separate versions from Gabby Pahinui and his son Cyril. This song is fun to play and captures a certain energy that many find appealing. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.
Here is an alternate take of “Punahoa Special,” this one recorded with a Telefunken M60 microphone. Punahoa Special is a signature showpiece of legendary slack key master Fred Punahoa. This is a song I was fortunate enough to learn directly from Led Ka’apana, one that Led had in turn learned directly from Fred himself. Though Fred Punahoa never made a full album under his own name, he did make a notable appearance on the Waimea Music Festival album, in addition to fostering amazing talents of the next generation such as Led and Sonny Lim. “Punahoa Special” is an often covered song in the slack key canon, and might also be the most popular song in Mauna Loa slack key tuning. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Telefunken M60 microphone.
Today’s song is the joyful “Punahoa Special,” a signature showpiece of legendary slack key master Fred Punahoa. This is a song I was fortunate enough to learn directly from Led Ka’apana, one that Led had in turn learned directly from Fred himself. Though Fred Punahoa never made a full album under his own name, he did make a notable appearance on the Waimea Music Festival album in addition to fostering amazing talents of the next generation such as Led and Sonny Lim. “Punahoa Special” is an often covered song in the slack key canon, and might also be the most popular song in Mauna Loa slack key tuning. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.
Here is an alternate take of Dennis Kamakahi’s song, “Hilo Rag.” This is a super fun song to play and one of my favorites from Dennis Kamakahi’s oeuvre. Better known for lyrical songs like Koke’e, Hilo Rag makes me wish I heard more of Dennis’s instrumental work. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.
Here is an alternate take of my song “Banyan” (a/k/a “Banyans,” or “Banyan Tree Slack Key”), a slack key style song I wrote years ago on nylon string guitar. I used to play my gut string ‘beach’ guitar (an old Ibanez) around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport. So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even majestic banyan trees in general. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.
Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.” I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version. My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.