Tag Archives: ear trumpet labs

LIVE 050 • Moonglow

Moonglow is a dreamy fingerstyle song I wrote years ago while sitting outside under a full moon. I’ve played it on and off for years, most always on steel string guitar. Recently I tried it on nylon and found it worked quite well – perhaps even better. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

GEAR 512 • Taylor 414ce-NR Review

This video gives an overview of my Taylor 414ce-NR (sorry, forgot to mention the “R” in the video, which designates the rosewood back/sides), along with some sound samples. Taylor makes nylon string guitars in a variety of wood combinations, but just two sizes: Grand Concert (smallest body size) and Grand Auditorium (the next size up from Grand Concert, and their most popular body style in general). Though I often prefer Grand Concert Taylors for steel string work, I chose this Grand Auditorium size model as my nylon string guitar for a couple of reasons. First, the larger GA size worked well with the rosewood back/sides to give a nice, rich bass sound. Second, I do like to use notes on the upper frets, and Taylor’s nylon Grand Auditoriums feature 14 fret necks. With the cutaway, that gives ample access to the upper frets. By comparison, the GC nylon strings are only offered in 12 fret configuration; while they usually come with a cutaway, you also lose a few of the upper frets with that design. Overall, I have found the 414ce-NR to be a practical, playable, and enjoyable way to add a nylon sound to my palette.
Note – the song featured at the beginning/end of the video is an adaptation of Leonard Kwan’s famous slack key arrangement of Silver Threads Among the Gold, which was also quoted in the intro to Country Comfort’s Waimanalo Blues, another beloved song in Hawaii.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 044 • Makalawena – Slack Key Guitar

I named this seemingly easygoing yet still restive song after a charmingly beautiful and relatively isolated beach on the Kona Coast. Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point. The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park. I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay. Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot. The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

OPEN 104 • How to Tune Your Guitar to Double Drop D Tuning

This lesson shows you how to tune your guitar to Double Drop D tuning (DADGBD), how to check Double Drop D tuning with harmonics, how to approach playing some “CAGED” style chords in the tuning, similarities with other tunings such as Open G and Drop D, and talks about when you might want to use Double Drop D tuning.

CORE 301 • Focusing on Dynamics for Guitar

One sure fire way to improve your playing or bring new life to your repertoire is to focus more on dynamics. Most often, we think about volume when speaking of dynamics – softer passages within a song versus a louder climax or even softer songs versus louder ones. I also like to think about other aspects such as:

– How you play a chord or phrase – with flowing tones or sharp staccato?
– Where on the fretboard you want to play a phrase – low on the neck, high on the neck, do you want to use open strings or harmonics?
– The balance in EQ between bass and treble, particularly with fingerstyle guitar

Of course there are many more concepts that fall under or are tangential to dynamics. Jimmy Page often talked about dynamics in terms of “light and shade,” which is a great metaphor to apply to your sonic palette on the guitar. And really, for such a compact instrument, the guitar has a very wide range of sounds. Thinking about all of the sounds you can pull from your guitar will give your performances more impact and make you a better player.

GEAR 508 • Elixir HD Light Strings Review

Elixir HD Light strings are made the same as other elixirs, but the gauge of the set is unique. Basically they married medium gauge treble strings with light gauge bass strings to find the optimal string gauge for small bodied Taylor guitars (GA/xx4 and GC/xx2).
The idea behind HD Lights is that both string tension and EQ would be more balanced across the strings, resulting in better playability and better tone.
On the high end, the thicker gauge treble strings give you more body, better definition, and improved action. The lighter bass strings keep the bass clear – it’s not muddy even when you tune down. Along with the balanced EQ and improved playability, you also get a more even volume resulting in easier to control dynamics.
Andy Powers at Taylor came up with the idea for these after redeveloping the 800 series, and these strings are indeed great with the revoiced 600, 800, and 900 series GC and GA guitars. The revoiced models have a stronger, more focused bass in particular, so using lighter bass strings helps keep the low end form being overpowering or becoming muddy. The revoiced models also have a livelier top – so the lighter bass strings still have enough presence without being boomy, and the thicker trebles still have snap, but without being too thin.
Overall, their more balanced EQ coupled with more balanced string tension make HD Lights especially conducive to alternate tunings and ideal for fingerstyle guitar.

Other notes:

Phosphor Bronze vs 80/20 Bronze:
⁃ 80/20 Bronze will be brighter with more zing.
⁃ Phosphor Bronze will be a little warmer with more heft or body. I prefer them for fingerstyle because of their combination of warmth, clarity, and detail.

Nanoweb vs Polyweb: HD Lights are only available in Nanoweb (as of now), which works fine for me, but prior to using this gauge I used Elixir’s Polyweb strings. Though they have slightly different characteristics, I have found both Nanoweb and Polyweb coatings to produce good sounding strings.

LIVE 041 • Magic Sands – Slack Key Guitar

Here is a slack key style tune I wrote a while back while hanging out around Magic Sands beach in Kailua Kona, Hawaii. I originally wrote it on an old nylon string guitar. While I have a recording of this song played on steel string already posted, I wanted to go back and do a recording with my nylon string Taylor as well. There aren’t many songs I like to play on both steel and nylon, but this is one of them for some reason. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

GEAR 705 • Neumann TLM 102 Review

Here is my review of the TLM 102 large diaphragm condenser microphone from Neumann. In short, this mic is smooth and velvety throughout the frequency range with an overall balanced sound. It adds a nice body and presence to the bass, while smoothing out the highs at the same time – perfect for my Taylor 412ce, which is a bright, focused guitar. The microphone’s small size makes it easy to work with and the large sweet spot makes it easy to place. This would be a good mic for someone who wants to experiment with a lot of different mic positions, or just someone who wants an unfinicky mic that is easy to work with.

GEAR 702 • Ear Trumpet Labs Edwina Review

Here are some of my thoughts on the Ear Trumpet Labs Edwina after recording with it for a couple of months. For what I do (acoustic guitar instrumentals) – the Edwina is a great mic. On steel string I think it would pair a little better with a Martin than a Taylor, however I really enjoy it on my nylon string Taylor. The mike is crisp and clear with a high end bump that has a little body (not too thin). The bass is there, but it’s not boomy and you can get up close to the mic without too much bass from proximity effect (at least on my Taylors – maybe not with other guitars). I haven’t used it live, but it has a narrow / close pattern that along with its other characteristics would probably make it suitable for live use. Other pluses include: boutique mic made in Portland Oregon, not super pricey, and last (but not least) it looks cool.

You may also like:

Ear Trumpet Labs Edwina Unboxing

“Banks of the Ohio,” recorded using both the Ear Trumpet Labs Edwina and the Neumann TLM 102

GEAR 701 • Ear Trumpet Labs Edwina Unboxing

While I find unboxing videos a little bit silly, I thought it would be fun to record my unboxing of the Edwina microphone I ordered from Ear Trumpet Labs. Their customer service, packaging, and presentation are part of the selling points of the company, on top of the fact that they offer quality boutique mics made in their Portland Oregon shop at reasonable prices.
In addition to its distinctive looks, the Edwina is a good sounding and useful mic that offers clarity with a slight top end boost (though not too hyped). I look forward to recording some music with it and thank the fine people at Ear Trumpet Labs who answered my questions along the way.

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“Banks of the Ohio,” recorded using both the Ear Trumpet Labs Edwina and the Neumann TLM 102