Tag Archives: open g tuning

LIVE 130 • Slack Key Number 1 (Taylor 412ce)

Here is an alternate take of Slack Key No. 1, the classic showpiece of slack key master Sonny Chillingworth.  I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.”  The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar.  Both versions are very similar, though with some slight differences.  I have incorporated elements from both versions in the arrangement I play.  Hope you enjoy. 

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 115 • Mino’aka (Alt Take)

Here’s an alternate take of Keola Beamer’s Mino’aka (Smile), from his awesome Soliloquy album.  Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen.  Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book.  In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key.  Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 097 • Kaiminani Slack Key (Alt Take)

Here is an alternate take of my original slack key song, “Kaiminani Slack Key.”  The song is named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii.  Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively).  It also runs through the Kona Palisades neighborhood where I lived for a number of years as  a child.  Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots.  We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.  

LIVE 067 • Waimea Ride (Slack Key Improvisation)

Today’s song from the vaults, “Waimea Ride,” is a slack key improvisation that blossoms from a familiar type of descending figure.  Though often used as part of a turnaround, this type of walk down has also been featured as a melodic device in a number of songs, most notably Leonard Kwan’s classic signature tune Opihi Moe Moe.   I also recall Ozzie Kotani using it in some of his songs.  Anyway, I thought the descending figure and overall pace of this improv might evoke the picture of a Paniolo riding downslope on horseback, ergo the title.  Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 1/11/08.

LIVE 086 • Silver Threads – Slack Key Improv

Here is an improvisation I did based on Leonard Kwan’s famous slack key arrangement of “Silver Threads Among the Gold.” This classic tune is a popular piece in the slack key repertoire and often one of the first things people learn when exploring Drop C tuning. Most listeners of modern day Hawaii radio will recognize Silver Threads as the slack key passage quoted in the intro to Country Comfort’s Waimanalo Blues, a beloved song in the islands in its own right. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and Neumann TLM 102 microphone.

LIVE 084 • Kaiminani Slack Key

Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 048 • Slack Key #1 by Sonny Chillingworth

Slack Key No. 1 is a classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 041 • Magic Sands – Slack Key Guitar

Here is a slack key style tune I wrote a while back while hanging out around Magic Sands beach in Kailua Kona, Hawaii. I originally wrote it on an old nylon string guitar. While I have a recording of this song played on steel string already posted, I wanted to go back and do a recording with my nylon string Taylor as well. There aren’t many songs I like to play on both steel and nylon, but this is one of them for some reason. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 034 • Holualoa Blues

From the vaults, here is a demo version of my tune Holualoa Blues. This song is primarily a blues piece, but with some slack key influence as well. Done in open G / taro patch tuning. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 10/11/07.

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