Tag Archives: Taylor Dreadnaught guitar

LIVE 059 • Perfect & Beautiful

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the fourth song in the set, which I dubbed “Perfect & Beautiful.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 060 • Electric 1 (Demo)

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the fourth song in the set, which I dubbed “Electric 1.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 045 • Transition One (3/16/09)

Here is an improvisatory piece recorded for a project I had a few years back. The idea behind the project, called “Awake Again,” was to have a handful of songs that were connected by mostly shorter and improvisatory ‘transitions’ that would act as both glue and palette cleanser between the slightly more structured songs. The wallpaper shows me with my old Taylor 310ce that I used to record this song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/16/09.

LIVE 043 • Earlybird Sunrise

Today’s song is a demo from years back called “Earlybird Sunrise.” Earlybird is a fingerstyle song with an expansive palette and ambitions of invoking a wide landscape. I also thought it would be fun to pull an old photo of myself – replete with long hair – from around the time I recorded this song. I have my old Taylor 310ce in the photo – a trusty guitar – but Earlybird was probably recorded with a budget model from another brand that was nonetheless fairly playable. It’s in an alternate tuning that I haven’t used since and I can’t recall how to play the song, but I still find it fun to listen to and hope you will enjoy as well.

LIVE 042 • Star Waltz

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the fifth song in the set, “Star Waltz.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 040 • Saturday Song

One day in the fall of 2012, I sat down to record a set of improvised songs with a Taylor dreadnought acoustic guitar. I improvised five original songs and two versions of Amazing Grace. With only one or two false starts, they were mostly first takes. The set was nothing really mind altering, but it had some cool songs with good vibes – so I considered it a success. It’s not the kind of thing I do often – in fact I haven’t done the exercise since, haven’t played any of the original songs again, and don’t consider it the most incredible thing I’ve ever done. Yet somehow it stands out in my mind as a creative milestone, a memorable event. Sometimes it’s important to break out of the mold with such experiments to reach a new frame of mind, a new level. This was the third song in the set, which I dubbed “Saturday Song.”

Recorded with a Taylor 310 and a Tascam DR-40 in Louisville, Kentucky, 9/29/12.

LIVE 034 • Holualoa Blues

From the vaults, here is a demo version of my tune Holualoa Blues. This song is primarily a blues piece, but with some slack key influence as well. Done in open G / taro patch tuning. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 10/11/07.

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LIVE 031 • In a Little While – U2

Here is a demo version of my arrangement of the U2 song “In a Little While,” from 2000’s All That You Can’t Leave Behind. This was recorded a few years back when I was using dreadnaught size Taylors, before I got hip to their smaller, more comfortable guitars. The mix is a bit more compressed than what I’ve been doing lately, but it gets the job done. Hope you enjoy.

Recorded at Goldsmith Studios in October, 2011, with a Taylor 310 (Elixir Polyweb medium gauge set) and a pair of Rode NT-5 microphones.

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Every Breath You Take – The Police / Sting

LIVE 030 • Every Breath You Take – The Police / Sting

Here is a demo version of my arrangement of The Police song “Every Breath You Take” I recorded a few years back. I was using dreadnaught size Taylors back then and the mix is a bit more compressed than what I’ve been doing lately, but I think it works for this song. Weren’t The Police great? Hope you enjoy.

Recorded at Goldsmith Studios in October, 2011, with a Taylor 310 (Elixir Polyweb medium gauge set) and a pair of Rode NT-5 microphones.

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Something – Ukulele Cover – Beatles / George Harrison