LIVE 100 • Jewel Ponds

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.  These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.  Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.  There can be no denying the strange, quiet magic of Hawai’i’s  anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

LIVE 104 • Ki Ho’alu

Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.”  I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.  My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.  

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 099 • Mauna Loa Slack Key

Here is my cover of “Mauna Loa Slack Key,” one of the relatively few surviving original songs from legendary slack key kupuna Fred Punahoa.  Though “Uncle” Fred never made a full album, he did make a notable appearance on the Waimea Music Festival album which features Mauna Loa Slack Key along with another of Fred’s originals, “Punahoa Special.”  Uncle Fred’s legacy also includes fostering amazing Big Island talents of the next generation such as Ledward Ka’apana and Sonny Lim.  Like the Punahoa Special, Mauna Loa Slack Key is an often covered song in the slack key world.  Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/11/07.

LIVE 103 • Bron-Yr-Aur (912ce)

Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This version was recorded on my Taylor 912ce.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone. 

LIVE 101 • Momentum (912ce)

Momentum is an original I’ve been playing for a while.  Over the years, I have added different bridges and changed the intro at times, but at its core the song remains the same. This version has a new bridge and was recorded on my Taylor 912ce.  

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 092 • Opihi Moe Moe (Taylor 310ce)

Here’s a recently found cover I did of Leonard Kwan’s signature tune, Opihi Moe Moe. One of the most popular songs in the slack key repetoire, this song has been covered perhaps most prominently by Led Kaapana; in fact, Chet Atkins even recorded a version after hearing it from Leonard on a visit to Hawai’i. Notably, Leonard himself recorded several versions of this song including variations such as Opihi Bounce. Opihi Moe Moe is a fun song to play that lends itself to little variations, and everyone seems to bring something different to this deceptively simple song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 1/4/2008.

LIVE 098 • Iris (912ce)

Here’s a version of my song Iris recorded on the 912ce.  Iris has a lot of harmonics, which creates a light, chimey atmosphere.  The 912 has a lot of resonance, echo and bloom (even moreso than the 412ce I previously recorded this with) which I thought would pair well with the cascade of harmonics in this song.  Hope you enjoy. 

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

LIVE 097 • Kaiminani Slack Key (Alt Take)

Here is an alternate take of my original slack key song, “Kaiminani Slack Key.”  The song is named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii.  Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively).  It also runs through the Kona Palisades neighborhood where I lived for a number of years as  a child.  Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots.  We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.  

LIVE 094 • Gabby Style Hula Medley

Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby).  Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album.  Per below, my recording of the medley here includes a slightly different lineup of songs.  Hope you enjoy.

Medley:
Intro / Nani Wale Li’hue
Wai’alae
U’lili E
Aloha ‘Oe

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, in fall of 2007.

LIVE 091 • Fronds in the Wind at Wai’alae Beach Park in Kahala

Here’s a recording of my slack key song Fronds in the Wind at Wai’alae Beach Park in Kahala.  Appropriately, it was a windy day, but nice and the park was not super crowded.  Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir strings, ES1) direct through a Boss DD-2 delay pedal, in Honolulu, Hawaii.