I used to take a guitar to sit and play some slack key at beaches around Kailua-Kona like Old Airport, Honl’s, Kahalu’u, Keauhou Bay, and La’aloa Beach Park… which is also known locally as White Sands, or Magic Sands. La’aloa Beach Park is just off Ali’i Drive a few miles South of Kailua-Kona. Often known as Magic Sands because the sand ‘disappears’ practically overnight from most of the shoreline during winter swells, only to fully ‘reappear’ in the Summer, the beach is a popular spot for residents of Kona. I often used to head over there with a cup of Kona coffee in the early morning before the crowds arrived, when it was still quiet, and sit on the picnic tables and play guitar. Here is a slack key style tune I wrote one day while hanging out with my guitar around Magic Sands. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i. Music by Nick Borho, all rights reserved.
Here is a fingerstyle cover of “Every Breath You Take,” the hypnotic signature tune from The Police. Many stories surround the writing, recording, and subsequent success of the song – for example one interesting tidbit is that Sting apparently wrote the song while sitting at Ian Fleming’s writing desk on his famous Goldeneye estate in Jamaica. With its classic guitar part, “Every Breath” has a mellow / dreamy feel seemingly at odds with its borderline creepy lyrics – though some may find the song is a tad less sinister as an instrumental 🙂 Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 8/25/14.
Elixir HD Light strings are made the same as other elixirs, but the gauge of the set is unique. Basically they married medium gauge treble strings with light gauge bass strings to find the optimal string gauge for small bodied Taylor guitars (GA/xx4 and GC/xx2).
The idea behind HD Lights is that both string tension and EQ would be more balanced across the strings, resulting in better playability and better tone.
On the high end, the thicker gauge treble strings give you more body, better definition, and improved action. The lighter bass strings keep the bass clear – it’s not muddy even when you tune down. Along with the balanced EQ and improved playability, you also get a more even volume resulting in easier to control dynamics.
Andy Powers at Taylor came up with the idea for these after redeveloping the 800 series, and these strings are indeed great with the revoiced 600, 800, and 900 series GC and GA guitars. The revoiced models have a stronger, more focused bass in particular, so using lighter bass strings helps keep the low end form being overpowering or becoming muddy. The revoiced models also have a livelier top – so the lighter bass strings still have enough presence without being boomy, and the thicker trebles still have snap, but without being too thin.
Overall, their more balanced EQ coupled with more balanced string tension make HD Lights especially conducive to alternate tunings and ideal for fingerstyle guitar.
Phosphor Bronze vs 80/20 Bronze:
⁃ 80/20 Bronze will be brighter with more zing.
⁃ Phosphor Bronze will be a little warmer with more heft or body. I prefer them for fingerstyle because of their combination of warmth, clarity, and detail.
Nanoweb vs Polyweb: HD Lights are only available in Nanoweb (as of now), which works fine for me, but prior to using this gauge I used Elixir’s Polyweb strings. Though they have slightly different characteristics, I have found both Nanoweb and Polyweb coatings to produce good sounding strings.