Tag Archives: fingerstyle guitar

LIVE 048 • Slack Key #1 by Sonny Chillingworth

Slack Key No. 1 is a classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 057 • Wake Up Slack Key

Wake Up Slack Key (also known as Ho’ala Ki Ho’alu) was one of the first slack key style songs I wrote. It stayed in my set for a number of years, though I haven’t played it much lately. This demo was an early version of the song recorded not long after I bought my first Taylor on eBay, a 310ce that became my main guitar for 9 years. This take among the others in my archive really captures the spirit of the tune. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) in Kailua-Kona, Hawai’i, 5/13/06.

LIVE 062 • Straight Ahead Blues (Demo)

Here is an improvised song from the vaults I dubbed “Straight Ahead Blues.” At the time I recorded this song, I was listening to a lot of the Clapton Unplugged album, which I still enjoy going back to from time to time. Same with the blues on acoustic guitar. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 2/26/09.

LIVE 066 • Brownsboro Road, Original Fingerstyle Guitar

Today’s song from the vaults, Brownsboro Rd., is one of the earlier fingerstyle songs that I wrote. The recording was made in an attic apartment with the windows open on a warm night and features the sound of crickets in the background. Brownsboro Road was the second track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

LIVE 058 • Raindrops (Original Fingerstyle)

Today’s song from the vaults, Raindrops, starts with the eponymous sound effect of individual raindrops made on the guitar. The rest of the song features recordings I made of light rain and a storm as a backdrop for the song. Raindrops was the closing track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.

Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.

GEAR 510 • Armrests on Taylor Guitars

For extended playing sessions on the guitar, especially when wearing a short sleeve shirt, you can develop a set of creases on your picking arm where it lies over the lower bout of the guitar. Taylor has alleviated this problem by offering armrests on some of its guitars at both low and high price points. Their Academy series offers armrests in a budget priced guitar, while more aesthetically refined versions can be found on some of Taylor’s higher end guitars such as their 900 series. Overall, I figured having an armrest would be an improvement, but I am really surprised at how much I’ve enjoyed it. It does make the playing experience more comfortable, especially on longer sessions.

LIVE 055 • Sunday Slack Key (early version, nylon string guitar)

I originally wrote Sunday Slack Key as a single string melody, using fretted notes on only one string (and the other strings only open). Playing the melody on only one string is a concept I picked up at a jazz guitar clinic – I seem to remember Tal Farlow or Jim Hall proposing the idea as a means for chord melody – and the idea can be useful when arranging a fingerstyle song. Eventually I added a few fretted notes on some other strings, mostly to fill out the bass, yet the fretted notes of the melody remain mainly on one string. The name for the song came to me on a simple, relaxed Sunday, and seemed appropriate. This is an early version of the song recorded not long after I wrote it. Hope you enjoy.

Recorded with a nylon string guitar in Kailua-Kona, Hawai’i, 6/01/06.

LIVE 049 • Long Mountain Rag

Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and an Ear Trumpet Labs Edwina microphone.

LIVE 054 • Jonquils of Spring

An improvised portrait, Jonquils of Spring features a melody outlined with harmonics and played with a slightly wobbly tempo. A cool sunny spring day helped bring out the mood, and relatively fresh set of strings helped bring out the chimes. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 051 • Hand Dancing

Hand Dancing started out as an introductory fingerpicking study I wrote for students back when I was teaching guitar full time at a music store. I kept the song in my set for a number of years, playing it on both nylon and steel string. This version was recorded as a demo for my “Awake Again” project. The wallpaper shows me with my old Taylor 310ce that I used to record this song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 6/20/09.