Tag Archives: fingerstyle guitar

LIVE 144 • Sound and Solace (Original Fingerstyle)

This song was born of my desire to improvise around some familiar ideas and possibly discover some new ones. Using familiar shapes and runs, perhaps I would come to appreciate them from a new angle, or juxtapose them in a way that I hadn’t before. I wanted to explore textures, try to accent some of the notes in a different way, give the strings a staccato strum or two, play some lush harmonics. Sometimes rather than trying to come up with something totally new, you want to explore the familiar ground of existing templates, maybe change them just a little – not to the point they’re unrecognizable, but to explore how they can be tweaked and see if it suits.

In addition to trying out some musical ideas, I wanted to see how they would sound with a microphone I hadn’t used lately, recording with a different sound. The mic I chose sounds crisp, picking up all the harmonic details and giving clear note separation. It’s quiet, and also good at gathering room ambiance. The bass is not as bold and the mid-scooped rosewood sound isn’t as prominent as another mic I had been using lately, but this mic would provide a nice, hi-fi, detailed sound – one I might now want to explore even more. Anyway, sometimes it’s important to try something a little different with your sound, to record an improvisation and see what happens. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 103 microphone.

LIVE 142 • Hualalai Sunrise (Early Take)

“Hualalai Sunrise” was inspired by the morning sunrises in Kailua-Kona on the Big Island of Hawai’i.  Much of North Kona – from Kalaoa where I spent much of my early childhood to Holualoa where I later lived – can see the sun shining over the top ridges of Hualalai in the morning, bathing its warm light over the slopes from the summit to the ocean.  This is an early version of this song, though I have improvised several slightly different versions since.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Telefunken M60 microphone.

LIVE 138 • Little Grass Shack, Pua Tuberose – Slack Key Medley

From the vaults, here is an old recording of a slack key medley performed during an informal kanikapila at what was then the Sheraton Keauhou Bay Resort Hotel (it has since changed hands from Sheraton).  The medley starts out with a rendition of Little Grass Shack, followed by the classic Pua Tuberose.  Hope you enjoy.

LIVE 131 • Hula Blues (Nylon String Guitar)

Here is a version of the classic Johnny Noble song “Hula Blues” recorded on nylon string guitar.  Hula Blues is a steel guitar and slack key staple – a quick check of my iTunes library shows over a dozen versions by everyone from Sol Ho’opi’i to Sonny Chillingworth, Led Ka’apana, Leonard Kwan, Bobby Ingano, as well as separate versions from Gabby Pahinui and his son Cyril.  This song is fun to play and captures a certain energy that many find appealing.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.

LIVE 136 • Wayvvs Crashin

Here’s an isolated track that I recorded for a collaboration a few years ago.  That particular collaboration didn’t end up coming together, so I thought I would release this track as a stand alone piece.  Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 microphone. 

LIVE 140 • Bron Yr Aur (K22ce)

Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song.  Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it.  This version was recorded on my Taylor K22ce.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb 80/20 Bronze HD gauge set) and a Telefunken M60 microphone.

LIVE 124 • Bantry Girl’s Lament (912ce)

The Bantry Girl’s Lament is a traditional Celtic song which dates back to the early 1800’s.  The ‘lament’ is for the soldiers who were called off to fight in the Napoleonic wars, but I find the melody is more wistful than maudlin.  My fingerstyle version is based on Martin Simpson’s version from his fine album “Leaves of Life.”  While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E).  To me, this is a peaceful, meditative song that gives pause.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 133 • Meadows Slack Key (912ce)

“Meadows” is a slack key song I wrote during a full moon in Kailua-Kona.  I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean.  Hope you enjoy.  

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone. 

LIVE 123 • Punahoa Special (alt take)

Here is an alternate take of “Punahoa Special,” this one recorded with a Telefunken M60 microphone.  Punahoa Special is a signature showpiece of legendary slack key master Fred Punahoa.  This is a song I was fortunate enough to learn directly from Led Ka’apana, one that Led had in turn learned directly from Fred himself.  Though Fred Punahoa never made a full album under his own name, he did make a notable appearance on the Waimea Music Festival album, in addition to fostering amazing talents of the next generation such as Led and Sonny Lim.  “Punahoa Special” is an often covered song in the slack key canon, and might also be the most popular song in Mauna Loa slack key tuning.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Telefunken M60 microphone.

LIVE 115 • Mino’aka (Alt Take)

Here’s an alternate take of Keola Beamer’s Mino’aka (Smile), from his awesome Soliloquy album.  Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen.  Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book.  In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key.  Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.