Tag Archives: Open D

LIVE 132 • Fair Wind (912ce)

Here is a more recent version of my song “Fair Wind.”  The song is named for a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.

Recorded with a 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Line Audio CM4 microphone.

LIVE 144 • Sound and Solace (Original Fingerstyle)

This song was born of my desire to improvise around some familiar ideas and possibly discover some new ones. Using familiar shapes and runs, perhaps I would come to appreciate them from a new angle, or juxtapose them in a way that I hadn’t before. I wanted to explore textures, try to accent some of the notes in a different way, give the strings a staccato strum or two, play some lush harmonics. Sometimes rather than trying to come up with something totally new, you want to explore the familiar ground of existing templates, maybe change them just a little – not to the point they’re unrecognizable, but to explore how they can be tweaked and see if it suits.

In addition to trying out some musical ideas, I wanted to see how they would sound with a microphone I hadn’t used lately, recording with a different sound. The mic I chose sounds crisp, picking up all the harmonic details and giving clear note separation. It’s quiet, and also good at gathering room ambiance. The bass is not as bold and the mid-scooped rosewood sound isn’t as prominent as another mic I had been using lately, but this mic would provide a nice, hi-fi, detailed sound – one I might now want to explore even more. Anyway, sometimes it’s important to try something a little different with your sound, to record an improvisation and see what happens. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 103 microphone.

LIVE 136 • Wayvvs Crashin

Here’s an isolated track that I recorded for a collaboration a few years ago.  That particular collaboration didn’t end up coming together, so I thought I would release this track as a stand alone piece.  Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 microphone. 

LIVE 116 • Fair Wind (K22ce)

Here is an early version of my song “Fair Wind,” recorded not long after I wrote it.  There is a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir strings) and a Line Audio CM4 microphone.

LIVE 037 • Home Abroad – Slide Guitar

From the vaults, here is a slide guitar song I wrote called Home Abroad. I used to play a fair amount of slide guitar, but I don’t play it much anymore. I figured I’d either have to go all in on the slide or not, but couldn’t just dabble with it – so I decided to work on other areas instead. This is a fun leftover from when I dabbled with it though. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/18/09.

LIVE 036 • Sí Bheag, Sí Mhór

Here is my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan. This version of the song is played a little on the slower side of what you normally hear, but I may record a slightly more uptempo version later on. I think the song works well both ways to be honest, one of the many interesting things about it. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

You may also like:

Banyan (Slack Key on Nylon String Guitar)

OPEN 102 • How to Tune Your Guitar to Open D Tuning

This video shows you how to tune your guitar to Open D tuning (D-A-D-F#-A-D). Open D is the same relative tuning as Open E, just a whole step lower. In general, I recommend using Open D rather than Open E as it usually results in better action and fewer broken strings. (If you need to play in the key of E, you can use a capo on the 2nd fret.) Open D tuning is popular among slide guitar and fingerstyle players – great for country / blues riffs, new age fingerstlyle, slack key, just about anything really. I hope you have fun exploring the possibilities of this tuning.

If you want to explore more of this tuning, you can check out my lesson on Barcelona, by George Ezra, which is a fingerstyle song in Open D.

You may also be interested in my lesson on how to tune to Open G.