Tag Archives: taylor grand concert

LIVE 169 • Welsh Dragonfly (312ce)

Live, Open Tuningsacoustic guitar, blue sky guitar, dragonfly, Elixir HD Light, fingerstyle guitar, Jimmy Page, Led Zeppelin, Line Audio CM4, nick borho, open C6, open tunings, peaceful guitar, relaxing guitar, sapele tone, Taylor 312ce, taylor grand concert, wales, welsh, Welsh Countryside, welsh dragonfly

Welsh Dragonfly was born one day from ideas improvised after listing to some of Led Zeppelin’s ‘acoustic’ songs. I’ve long liked the story of Page and Plant retreating to a tranquil cottage in the Welsh countryside with acoustic guitars in tow to find inspiration in the bucolic atmosphere and write some new music. As for the ‘dragonfly’ part of the title, I’ve often been inspired by seeing dragonflies hovering around various places over the years, and indeed they’re striking creatures… I’m also a fan of Art Nouveau and reminded of the Tiffany dragonfly lamp design, a touchstone representation that stands out in my mind at the moment. Anyway, this is a song that makes me feel relaxed and peaceful when I play it. Hope you enjoy.

Recorded with a Taylor 312ce (Sapele/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 small diaphragm condenser microphone.

LIVE 164 • The Bantry Girl’s Lament (alt take)

Fingerstyle, Liveacoustic guitar, bantry girls lament, blue sky guitar, celtic guitar, fingerstyle guitar, Neumann TLM 102, nick borho, peaceful guitar, relaxing guitar, Taylor 912ce, taylor grand concert

Here is an alternate take of The Bantry Girl’s Lament, a traditional Celtic song which dates back to the early 1800’s. The arrangement is based on Martin Simpson’s version from his fine album “Leaves of Life.” While Martin used a Drop D tuning for the song (or rather its equivalent on Baritone guitar), I play it here in open G6: (D-G-D-G-B-E). To me, this is a peaceful, meditative song that gives pause. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 163 • Acacia Improv (K22ce)

Liveacoustic guitar, blue sky guitar, fingerstyle guitar, Hawaii, hawaiian guitar, Hawaiian koa, ki ho’alu, koa taylor, nahenahe, Neumann TLM 103, nick borho, open G, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, Slack Key, Taro Patch, taylor grand concert, Taylor k22ce

Acacia Improv is an outtake of some improvisation done one day while I was recording “Acacia Just Noticed.” That song as well as this short little improv were meant to highlight the koa guitar’s warm low-mid tone with a touch of sparkle in the treble register, to bring out the characteristic warmth and sweetness of the wood. Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 103 microphone.

LIVE 162 • Acacia Just Noticed (K22ce)

Fingerstyle, Liveacoustic guitar, blue sky guitar, fingerstyle guitar, Hawaiian koa, koa taylor, Line Audio CM4, nick borho, open G, open tunings, original fingerstyle, taylor grand concert, Taylor k22ce

Acacia Just Noticed came to me one day while improvising on my koa guitar. Once aged a little, koa (part of the Acacia family, thus the titular play on words) imparts a warm low-mid tone with a touch of sparkle. Sometimes, depending on how you’re playing, koa can be a little thin and bright, but here I’m playing without a pick and using part of the pads of my fingers to soften things up – especially useful with some of the snappy parts here. Along with that, I feel like the the two sections of this song are played in registers that particularly lend themselves to bringing out warmth and sweetness of koa. The overall combination of these elements melds together in a way that I felt made the wood shine through, thus the nod in the title. Hope you enjoy.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 small diaphragm condenser microphone.

LIVE 167 • After the Solstice (Early Take)

Blue Sky Guitar, Fingerstyle, Liveacoustic guitar, blue sky guitar, fingerstyle guitar, guitar harmonics, Neumann TLM 102, nick borho, open tunings, original fingerstyle, peaceful guitar, playing a melody with harmonics, relaxing guitar, Taylor 912ce, taylor grand concert

After the Solstice and its harmonic laden chorus came to me one day after a winter solstice. It’s a quiet, peaceful time of year where the days are gradually getting longer and your mind turns to the hope of a new cycle. (I think it’s also fine for the already long days of summer too though.) Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

LIVE 156 • Here Comes the Sun – Fingerstyle Beatles Cover (Taylor 412ce)

Classic Rock, Fingerstyle, LiveAbbey Road, acoustic guitar, beatles fingerstyle, blue sky guitar, fingerstyle guitar, George Harrison, Here Comes the Sun, honolulu hawaii, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, rosewood taylor guitar, taylor 412ce, taylor grand concert

One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar. This is an alternate take of my fingerstyle arrangement of the song. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i .

LIVE 135 • Keiki Slack Key (412ce)

Live, Slack Keyacoustic guitar, blue sky guitar, fingerstyle guitar, Fred Kelly, Hawaii, hawaiian guitar, honolulu, keiki slack key, ki ho’alu, love, nahenahe, Neumann TLM 102, nick borho, open G, open tunings, peace, peaceful guitar, Ray Kane, relaxing guitar, relaxing music, Slack Key, St. Louis Heights, Taro Patch, Taylor 412ce-R, taylor grand concert, Taylor guitars, thumbpicks, tranquil song

Here is another version of the Ray Kane classic “Keiki Slack Key” I recorded on my Taylor 412ce-R steel string guitar. Keiki Slack Key (not to be confused with the Sonny Chillingworth song of the same name) is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) a Neumann TLM 102 microphone in Honolulu, Hawai’i.

LIVE 157 • Meditation on Which Will (Nick Drake Guitar Part)

Classic Rock, Liveacoustic guitar, blue sky guitar, Double Drop D tuning, Elixir HD Light, fingerstyle guitar, Neumann TLM 103, nick borho, Nick Drake, Nick Drake cover, peaceful guitar, Pink Moon, relaxing guitar, Taylor 312ce, taylor grand concert, which will

Nick Drake’s guitar parts (and music in general) seem to live in their own magical realm that we can tap into whenever listening to an album like Pink Moon. I was trying a new recording set up one day and decided to see how it would sound playing my version of the guitar part from “Which Will,” which is not really meant as a note-for-note copy of the original guitar part. Rather, I wanted to do a sort of meditation on the part and just enjoy the mellow vibes that Drake’s music always impart to me. Hope you enjoy.

Recorded with a Taylor 312ce (Sapele/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 103 microphone.

LIVE 148 • Magic Sands (Original Slack Key, Alt Take)

Live, Slack KeyAlii Drive, big island, blue sky guitar, Hawaii, hawaiian guitar, Honl’s, Kahaluu Snorkel Beach, kailua kona, Keauhou Bay, ki ho’alu, kona coffee, La’aloa Beach Park, laaloa, Magic Sands, nahenahe, Neumann TLM 102, nick borho, Old Airport Beach Park, open G, peaceful guitar, relaxing guitar, Slack Key, Taro Patch, taylor 412ce, Taylor 412ce-R, taylor grand concert, White Sands Beach

I used to take a guitar to sit and play some slack key at beaches around Kailua-Kona like Old Airport, Honl’s, Kahalu’u, Keauhou Bay, and La’aloa Beach Park… which is also known locally as White Sands, or Magic Sands. La’aloa Beach Park is just off Ali’i Drive a few miles South of Kailua-Kona. Often known as Magic Sands because the sand ‘disappears’ practically overnight from most of the shoreline during winter swells, only to fully ‘reappear’ in the Summer, the beach is a popular spot for residents of Kona. I often used to head over there with a cup of Kona coffee in the early morning before the crowds arrived, when it was still quiet, and sit on the picnic tables and play guitar. Here is a slack key style tune I wrote one day while hanging out with my guitar around Magic Sands. Hope you enjoy.

LIVE 130 • Slack Key Number 1 (Taylor 412ce)

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Here is an alternate take of Slack Key No. 1, the classic showpiece of slack key master Sonny Chillingworth. I first heard it on the Dancing Cat release “Endlessly,” and it also appears on his 1964 solo release “Waimea Cowboy.” The Waimea Cowboy version sounds like it was recorded on an electric guitar, while the version on Endlessly was recorded on acoustic guitar. Both versions are very similar, though with some slight differences. I have incorporated elements from both versions in the arrangement I play. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

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Slack Key and Fingerstyle Guitar