Tag Archives: taylor grand concert

LIVE 091 • Fronds in the Wind at Wai’alae Beach Park in Kahala

Here’s a recording of my slack key song Fronds in the Wind at Wai’alae Beach Park in Kahala.  Appropriately, it was a windy day, but nice and the park was not super crowded.  Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir strings, ES1) direct through a Boss DD-2 delay pedal, in Honolulu, Hawaii.

OPEN 105 • How to Tune Your Guitar to Drop D Tuning

This lesson shows you how to tune your guitar to Drop D tuning, which from low to high (in pitch) is D-A-D-G-B-E.  Drop D is the most common alternate tuning – any tuning other than Standard tuning – and differs from standard only on the sixth string, which is tuned down (or dropped) to D.  Open D is great for playing songs in the keys of D, A, and G.  The tuning has been used by all types of players in all genres for all types of songs, but folkies and hard rock/metal people probably use it the most.  You also see Drop D used in a decent number of guitar arrangements in classical music.

OPEN 106 • Playing Chords in Drop D Tuning

This lesson shows you how to play some chords in Drop D tuning, including how to adapt shapes you already know from standard tuning.  Basically, notes you see on the sixth string in standard tuning are moved up two frets when you’re tuned to Drop D.  This can mean slightly revoicing the chord – for example, leaving the 5th string out of some common chord voicings.  

LIVE 096 • Sí Bheag, Sí Mhór (Taylor 912ce)

Here is another version of my arrangement of Si Bheag, Si Mhor (Little Fairy, Big Fairy), reportedly the first song composed by famous 17th century bard Turlough O’Carolan.  This version was recorded on my 912ce, which I feel is a perfect guitar for this arrangement.  Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.  

GEAR 516 • Koa as a Tonewood

Today we explore the use of Hawaiian koa as a tonewood, also discussing the wood’s origins in mauka forests in Hawai’i, its historical uses in native Hawaiian culture to modern day usage, and forestry stewardship.  Koa is a bright, relatively dry tonewood with punchy low-mids; clear, sparkly highs; and sweet chiming overtones.  Not only is koa a good sounding wood with a strong heritage, but it is also a beautiful wood that can exhibit stunning figuring.  Koa guitars are excellent for jazz, folk and rootsy fingerstyle, and slack key among other applications.

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

GEAR 515 • Taylor Koa Series Guitars (feat Taylor K22ce)

This video provides an overview on Taylor’s Koa Series guitars, featuring a Taylor K22ce with solid koa top, back, & sides.  Though Taylor uses koa on various models throughout its line, the Koa Series is Taylor’s dedicated koa line and features solid koa back & sides on all models in the series.  In recent years, Taylor has moved to a more organic look with solid wood appointments and earthy edge burst finishes.  The guitars are bright, but in a good way – the note separation is great for complex chords, making it a good fit for jazz; the punchy low-mids are good for folk and rootsy fingerstyle; and the sweet overtones make the guitar perfect for slack key among other applications.   

Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

LIVE 087 • Mino’aka – Keola Beamer

Mino’aka (Smile) is a short, sweet song from slack key master Keola Beamer’s Soliloquy album. Soliloquy is one of my favorite Dancing Cat era albums from Keola and a highly recommended listen. Keola’s book is one of the first I picked up when I really delved into the slack key style years ago, and this was one of my favorite songs featured in the book. In fact, I also recommend Keola’s book for beginner to intermediate fingerstyle players who are looking to learn some slack key. Although the version I recorded here is at a slightly faster tempo, I hope it still captures the original’s relaxed feel. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.

GEAR 514 • Taylor 912ce Review and Demo

The Taylor 912ce is an easy to play guitar with a balanced eq that is ideal for fingerstyle or light strumming. The Grand Concert body gives it a balanced EQ, the advanced performance bracing and vibrant top give it a clear, articulate speaking voice, and the higher grade rosewood back and sides add complexity and richness to both single notes and chords. Gotoh 510 tuners offer greater accuracy and tuning stability – a welcome upgrade to those who use a lot of open or alternate tunings. With the addition of a beveled armrest, the compact guitar is the perfect companion for hours of comfortable play.
Of course, people often notice the cosmetics of the 900 series first, mainly the upgraded inlay work on the headstock, fretboard, and in the rosette & soundboard trim. Yet the inlay work is more subdued than previous incarnations of the 900 series and the upgrades are more tasteful than showy. The guitar does indeed look great, but more importantly it plays and sounds even better. In short, if you’re looking for a small-bodied guitar with upgraded features, the 912ce is a great choice.

Sound demos recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and an Ear Trumpet Labs Edwina a Neumann TLM 102 microphone.

LIVE 083 • Wonderful Tonight (Alternate Take)

Here is an alternate take of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.

LIVE 049 • Long Mountain Rag

Long Mountain Rag was named in honor of Mauna Loa (Hawaiian for “Long Mountain”), the Big Island of Hawaii’s largest mountain and also the largest active (though not erupting as of this post) volcano on Earth. Measured from its base on the ocean floor, Mauna Loa is the second tallest mountain in the world, topped only by neighboring Mauna Kea (whose peak is 120 feet higher). Long Mountain Rag was influenced by both Bluegrass and Slack Key musical styles. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and an Ear Trumpet Labs Edwina microphone.