“Awake Again” is an unfinished project I started working on in in early 2009 and only recently revisited. Now, assembled here together for the first time since it was recorded, the music in this playlist brings the project to a conclusion of sorts.
This music here was recorded in Holualoa, Hawai’i, on 11 different dates ranging from 2/14/09 through 6/20/09. Rather than a finished product this is the complete ‘first draft,’ comprised of the best recordings from that time in the order I had envisioned for the completed project. Hope you enjoy.
Track List: 1 – Intro 6/13/09 2 – Dust Yourself Off 2/24/09 3 – Ohio River Rag 3/1/09 4 – Transition I 3/1/09 5 – Straight Ahead Blues 2/26/09 6 – Hand Dancing 6/20/09 7 – Home Abroad 3/18/09 8 – Make 3/19/09 9 – Moment in the Sun 4/20/09 10 – Crossing the Field 4/20/09 11 – Morning and Night 6/20/09 12 – Brownsboro Road 4/20/09 13 – Bull By the Horns 2/14/09 14 – Kona Snow 6/20/09 15 – Transition One 3/16/09 16 – Momentum 6/8/09 17 – Outro 6/20/09
Here are an alternate take and a remix of my fingerstyle guitar arrangement of Auld Lang Syne. It’s a slack key tinged version with an added bridge/transition, but otherwise follows the familiar melody closely.
Remix of original post:
Happy New Year!
Both takes recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb 80/20 Bronze HD gauge set) and a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 12/30/14.
I named this seemingly easygoing yet still restive song after a charmingly beautiful and relatively isolated beach on the Kona Coast. Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point. The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park. I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay. Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot. The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these. Hope you enjoy.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.
Here are some of my thoughts on the Ear Trumpet Labs Edwina after recording with it for a couple of months. For what I do (acoustic guitar instrumentals) – the Edwina is a great mic. On steel string I think it would pair a little better with a Martin than a Taylor, however I really enjoy it on my nylon string Taylor. The mike is crisp and clear with a high end bump that has a little body (not too thin). The bass is there, but it’s not boomy and you can get up close to the mic without too much bass from proximity effect (at least on my Taylors – maybe not with other guitars). I haven’t used it live, but it has a narrow / close pattern that along with its other characteristics would probably make it suitable for live use. Other pluses include: boutique mic made in Portland Oregon, not super pricey, and last (but not least) it looks cool.
Several people have asked me lately about upgrading to a bone nut/saddle, and specifically in relation to Taylor guitars. A drop in saddle can be an easy experiment, but if you’re looking at a nut/saddle replacement and set-up, I would say first (if your action / playability are ok) to try some different makes of strings and different alloys. Next, be advised that bone saddles often make a guitar sound brighter and more clear; Taylors already sound bright and clear so adding a bone nut/saddle may be “too much.” If your guitar is 5-7 years old a Tusq nut/saddle (or Tusq/Micarta) will probably do the job. That’s just my opinion; milage may vary.
While I find unboxing videos a little bit silly, I thought it would be fun to record my unboxing of the Edwina microphone I ordered from Ear Trumpet Labs. Their customer service, packaging, and presentation are part of the selling points of the company, on top of the fact that they offer quality boutique mics made in their Portland Oregon shop at reasonable prices.
In addition to its distinctive looks, the Edwina is a good sounding and useful mic that offers clarity with a slight top end boost (though not too hyped). I look forward to recording some music with it and thank the fine people at Ear Trumpet Labs who answered my questions along the way.
Here is my Clarence White inspired arrangement of the Bluegrass classic, “Banks of the Ohio,” played fingerstyle with a thumbpick (rather than flatpicked or cross-picked). I’ve uploaded two versions of this song: one was recorded with the Neumann TLM 102 microphone that I have been using for a while; the other features my new Ear Trumpet Labs Edwina mic. So if you’re interested in how these two mics sound, this provides a comparison. The Neumann is a little bit smoother to my ear, while the Edwina has a little more clarity with a slight top end boost (though not too hyped). Both are fine microphones and I look forward to continuing to record with them both.
Using the Ear Trumpet Labs Edwina microphone:
Using the Neumann TLM 102 microphone:
Both recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Fred Kelly thumbpick.
This is a fun and melodic fingerpicking exercise that would work to develop coordination for those new to fingerpicking, or serve as a warm-up for more experienced pickers. While there are a lot of possible variations to this exercise, I recommend you stick to the diatonic shapes and four note / four string patterns introduced in the video. Hope you enjoy this melodic exercise.
This video shows you how to tune your guitar to Open D tuning (D-A-D-F#-A-D). Open D is the same relative tuning as Open E, just a whole step lower. In general, I recommend using Open D rather than Open E as it usually results in better action and fewer broken strings. (If you need to play in the key of E, you can use a capo on the 2nd fret.) Open D tuning is popular among slide guitar and fingerstyle players – great for country / blues riffs, new age fingerstlyle, slack key, just about anything really. I hope you have fun exploring the possibilities of this tuning.
If you want to explore more of this tuning, you can check out my lesson on Barcelona, by George Ezra, which is a fingerstyle song in Open D.