This video gives an overview of Taylor’s nylon stringed guitars, along with some sound samples of my 414ce-NR (sorry, forgot to mention the “R” in the video, which designates the rosewood back/sides). Taylor’s nylon string guitars are not true classical guitars, but rather cross-over nylon models good for a variety of uses. A Taylor nylon guitar would be a good fit if you like the playability of steel string Taylor guitars but want the sound of nylon.
Similar to their steel string models, Taylor nylon guitars are very playable, they work well with alternate and open tunings, and they have a good pick up system (most feature the excellent ES-N pickup) which makes them adaptable for live performance. While you can play some classical pieces on these, they are probably used more for jazz, Latin, Bossa nova, folk, slack key, and anything else you might want try with a nylon flavor.
Playability, versatility, and stage readiness make these guitars great for players looking for a nylon crossover guitar, as well as steel string players looking to add a nylon sound to their palette.
Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.
After doing several tangential videos on the acoustic guitar I’ve been using for performances, lessons, etc. on this channel (see links below), I thought it would be fun to do an overview of the guitar and its features for those who are curious. The guitar is a Taylor 412ce, a Fall Limited Edition with what was then a non-standard wood combination of Rosewood/Spruce (400 series typically used Ovangkol/Spruce) that also featured notch diamond inlays not normally used on 400 series guitars. In addition to the grand concert size body and short scale length, I also touch on how the top has aged, the addition of Gotoh 510 tuners, and replacing the nut / saddle with another Tusq set.
Here is my Clarence White inspired arrangement of the Bluegrass classic, “Banks of the Ohio,” played fingerstyle with a thumbpick (rather than flatpicked or cross-picked). I’ve uploaded two versions of this song: one was recorded with the Neumann TLM 102 microphone that I have been using for a while; the other features my new Ear Trumpet Labs Edwina mic. So if you’re interested in how these two mics sound, this provides a comparison. The Neumann is a little bit smoother to my ear, while the Edwina has a little more clarity with a slight top end boost (though not too hyped). Both are fine microphones and I look forward to continuing to record with them both.
Using the Ear Trumpet Labs Edwina microphone:
Using the Neumann TLM 102 microphone:
Both recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Fred Kelly thumbpick.