Tag Archives: kailua kona

LIVE 109 • Banyan (Alternate Take)

Here is an alternate take of my song “Banyan” (a/k/a “Banyans,” or “Banyan Tree Slack Key”), a slack key style song I wrote years ago on nylon string guitar.  I used to play my gut string ‘beach’ guitar (an old Ibanez) around beaches and surf spots in Kona like Magic Sands, Banyans, and Old Airport.  So I guess this song is partially named after the surf spot, but also after some banyan trees near Magic Sands – some of which have since been cut down – or even majestic banyan trees in general.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 100 • Jewel Ponds

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island.  These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels.  Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again.  There can be no denying the strange, quiet magic of Hawai’i’s  anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

LIVE 104 • Ki Ho’alu

Here’s my take on Gabby Pahinui’s classic instrumental simply and appropriately titled “Ki Ho’alu,” which is course is the Hawaiian term for “slack key.”  I probably first heard this song on the stellar “Pure Gabby” album – a must own – although it has appeared on other compilations and been covered by numerous slack key artists, including Ozzie Kotani’s excellent version.  My version is inspired by Gabby, Ozzie, and also Dennis Kamakahi who was prolific in the Mauna Loa tuning.  

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 092 • Opihi Moe Moe (Taylor 310ce)

Here’s a recently found cover I did of Leonard Kwan’s signature tune, Opihi Moe Moe. One of the most popular songs in the slack key repetoire, this song has been covered perhaps most prominently by Led Kaapana; in fact, Chet Atkins even recorded a version after hearing it from Leonard on a visit to Hawai’i. Notably, Leonard himself recorded several versions of this song including variations such as Opihi Bounce. Opihi Moe Moe is a fun song to play that lends itself to little variations, and everyone seems to bring something different to this deceptively simple song. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 1/4/2008.

LIVE 097 • Kaiminani Slack Key (Alt Take)

Here is an alternate take of my original slack key song, “Kaiminani Slack Key.”  The song is named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii.  Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively).  It also runs through the Kona Palisades neighborhood where I lived for a number of years as  a child.  Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots.  We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches.  Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.  

LIVE 094 • Gabby Style Hula Medley

Today’s post is a performance of “Hula Medley,” which pays tribute to Gabby Pahinui’s hugely influential recordings of the same name (both the early solo verision, and the version found on Pure Gabby).  Many have covered this over the years, with one of my favorite versions appearing on Sonny Chilingworth’s Sonny Solo album.  Per below, my recording of the medley here includes a slightly different lineup of songs.  Hope you enjoy.

Medley:
Intro / Nani Wale Li’hue
Wai’alae
U’lili E
Aloha ‘Oe

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, in fall of 2007.

LIVE 069 • Kailua Bay Blues

Today’s tune from the vaults is a recording of a slack key song I wrote and called “Kailua Bay Blues.” I spent a lot of time as a kid swimming in the waters of historic and majestic Kailua Bay, the waterfront area of ‘downtown’ Kailua-Kona on the Big Island of Hawaii. The bay is surrounded by historic residences once occupied by the Hawaiian Monarchy, hotels, restaurants, and usually someone fishing off the seawall. The area also hosts the swim and finish line for the Ironman World Championship triathlon. The waters of Kailua Bay, as well as the sky above, can have many different shades of blue – thus a double meaning for this bluesy slack key song’s title. Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Kailua-Kona, Hawai’i, 9/13/07.  


LIVE 086 • Silver Threads – Slack Key Improv

Here is an improvisation I did based on Leonard Kwan’s famous slack key arrangement of “Silver Threads Among the Gold.” This classic tune is a popular piece in the slack key repertoire and often one of the first things people learn when exploring Drop C tuning. Most listeners of modern day Hawaii radio will recognize Silver Threads as the slack key passage quoted in the intro to Country Comfort’s Waimanalo Blues, a beloved song in the islands in its own right. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and Neumann TLM 102 microphone.

LIVE 084 • Kaiminani Slack Key

Here is an original slack key song I named for Kaiminani Drive in Kalaoa, North Kona, on the Big Island of Hawaii. Kaiminani Drive is a main mauka-makai road that connects the Queen Kaahumanu and Mamalahoa highways (lower and upper roads, respectively). It also runs through the Kona Palisades neighborhood where I lived for a number of years as a child. Back then, the neighborhood was less developed, and my friends and I would build tree houses and play in the vacant lots. We could also watch the planes come and go at Kona International Airport at Keahole Point (KOA), and had easy access to then-uncrowded OTEC (Wawaloli) and Pine Trees (Kohanaiki) beaches. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and an Ear Trumpet Labs “Edwina” microphone.