Category Archives: Open Tunings

LIVE 180 • Welsh Dragonfly (912ce)

Live, Open Tuningsacoustic guitar, blue sky guitar, dragonfly, fingerstyle guitar, guitar instrumental, Line Audio CM4, nick borho, open tunings, peaceful guitar, relaxing guitar, rosewood taylor guitar, Taylor 912ce

Here is another version of my song Welsh Dragonfly, which was written after listening to some of the ‘acoustic’ music born out of Led Zeppelin’s retreat to the Welsh countryside. That music had an atmosphere at once both ethereal and bucolic, a vibe I try to tap into myself from time to time. This version of Welsh Dragonfly was recorded on a rosewood and spruce guitar – the rosewood’s scooped midrange provides a nice separation between the bass and treble parts, fitting well with this arrangement. This song makes me feel relaxed and peaceful when I play it. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Line Audio CM4 small diaphragm condenser microphone. Music by Nick Borho, all rights reserved.

LIVE 179 • Dragonfly in the Rain (Improv, 812ce)

Live, Open Tunings50th Anniversary 812ce, acoustic guitar, blue sky guitar, fingerstyle guitar, guitar instrumental, Neumann TLM 102, nick borho, open tunings, peaceful guitar, relaxing guitar, Sinker Redwood tone, Taylor 812ce LTD

Recorded during a thunderstorm, this improvisation expands upon some of the ideas and textures from my song Welsh Dragonfly. This recording and some other, related recordings made on different guitars and at different times, have formed into a small group I’ve dubbed Dragonfly Songs. Sometimes it’s good to further explore familiar musical terrain and approach existing themes from a new angle. Hope you enjoy.

LIVE 169 • Welsh Dragonfly (312ce)

Live, Open Tuningsacoustic guitar, blue sky guitar, dragonfly, Elixir HD Light, fingerstyle guitar, Jimmy Page, Led Zeppelin, Line Audio CM4, nick borho, open C6, open tunings, peaceful guitar, relaxing guitar, sapele tone, Taylor 312ce, taylor grand concert, wales, welsh, Welsh Countryside, welsh dragonfly

Welsh Dragonfly was born one day from ideas improvised after listing to some of Led Zeppelin’s ‘acoustic’ songs. I’ve long liked the story of Page and Plant retreating to a tranquil cottage in the Welsh countryside with acoustic guitars in tow to find inspiration in the bucolic atmosphere and write some new music. As for the ‘dragonfly’ part of the title, I’ve often been inspired by seeing dragonflies hovering around various places over the years, and indeed they’re striking creatures… I’m also a fan of Art Nouveau and reminded of the Tiffany dragonfly lamp design, a touchstone representation that stands out in my mind at the moment. Anyway, this is a song that makes me feel relaxed and peaceful when I play it. Hope you enjoy.

Recorded with a Taylor 312ce (Sapele/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 small diaphragm condenser microphone.

LIVE 132 • Fair Wind (912ce)

Acoustic, Fingerstyle, Live, Open Tuningsacoustic guitar, blue sky guitar, fair wind cruise, fingerstyle guitar, Kealakekua Bay, Keauhou Bay, Line Audio CM4, nick borho, Open D, open tunings, peaceful guitar, relaxing guitar, Taylor 912ce, taylor grand concert

Here is a more recent version of my song “Fair Wind.” The song is named for a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.

Recorded with a 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Line Audio CM4 microphone.

LIVE 144 • Sound and Solace (Original Fingerstyle)

Live, Open Tuningsacoustic guitar, blue sky guitar, fingerstyle guitar, fingerstyle improv, Neumann TLM 103, nick borho, Open D, open tunings, peaceful guitar, relaxing guitar, Taylor 912ce, taylor grand concert

This song was born of my desire to improvise around some familiar ideas and possibly discover some new ones. Using familiar shapes and runs, perhaps I would come to appreciate them from a new angle, or juxtapose them in a way that I hadn’t before. I wanted to explore textures, try to accent some of the notes in a different way, give the strings a staccato strum or two, play some lush harmonics. Sometimes rather than trying to come up with something totally new, you want to explore the familiar ground of existing templates, maybe change them just a little – not to the point they’re unrecognizable, but to explore how they can be tweaked and see if it suits.

In addition to trying out some musical ideas, I wanted to see how they would sound with a microphone I hadn’t used lately, recording with a different sound. The mic I chose sounds crisp, picking up all the harmonic details and giving clear note separation. It’s quiet, and also good at gathering room ambiance. The bass is not as bold and the mid-scooped rosewood sound isn’t as prominent as another mic I had been using lately, but this mic would provide a nice, hi-fi, detailed sound – one I might now want to explore even more. Anyway, sometimes it’s important to try something a little different with your sound, to record an improvisation and see what happens. Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 103 microphone.

LIVE 117 • Makalawena (alternate take)

Fingerstyle, Open Tunings, Slack Keyacoustic guitar, altered tunings, anchialine ponds, apogee one, big island, classical guitar, Fingerstyle, Hawaii, Hawaiian coot, kailua kona, Keahole Point, Kekaha Kai State Park, ki ho’alu, Kona International Airport, love, Mahaiʻula Bay, makalawena, mauna loa tuning, Neumann TLM 102, open tunings, peaceful guitar music, relaxing guitar, Slack Key, taylor 414ce-NR, taylor nylon guitar, tranquil song

Here is an alternate take of “Makalawena,” an original song I named after a charmingly beautiful and relatively isolated beach on the Kona Coast. Makalawena is part of that long stretch of white sandy beaches you see right before landing at Kona International Airport at nearby Keahole Point. The beach is generally accessible via a short hike from the neighboring Mahaiʻula Bay section of Kekaha Kai State Park. I remember camping out at Makalawena as a kid, exploring the rare anchialine ponds with their delicate red shrimp, and swimming in the waters of the bay. Today still, the neighboring marsh is a protected nesting ground, home to rare birds such as the Hawaiian coot. The song’s bridge seems to capture the strange sense of converging energies that I feel in special places such as these. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce grand auditorium nylon string) and a Neumann TLM 102 microphone.

LIVE 118 • Lily (Original Slack Key, 912ce)

Open Tunings, Slack Key, Songsacoustic guitar, blue sky guitar, fingerstyle guitar, ki ho’alu, Neumann TLM 102, nick borho, open tunings, original fingerstyle, peaceful guitar, relaxing guitar, Slack Key, Taylor 912ce, taylor grand concert

Here is an original fingerstyle tinged slack key song I wrote a number of years ago called “Lily.” Hope you enjoy.

Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb HD Light strings) and a Neumann TLM 102 microphone.

LIVE 100 • Jewel Ponds

Open Tunings, Songsacoustic guitar, big island, blue sky guitar, Elixir Polyweb, fingerstyle guitar, Hawaii, Holualoa, kailua kona, ksm141, nick borho, open tunings, peaceful guitar, relaxing guitar, shure, Slack Key, taylor 310ce, Taylor Dreadnaught

This improvisation is named for the beautiful anchialine ponds you find along the leeward coast of Hawai’i Island. These ponds are an ultra rare and pristine habitat (please do not bathe in them) that host rare tiny red shrimp – ‘ōpae ‘ula – and can have a magnificent array of turquoise and opaline colors, like jewels. Some of these ponds are tiny indeed, almost more of a puddle than a pond, and legends tell of ponds that would mysteriously appear to someone only to vanish when visited again. There can be no denying the strange, quiet magic of Hawai’i’s anchialine ponds.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/08/07.

OPEN 105 • How to Tune Your Guitar to Drop D Tuning

Acoustic, Fingerstyle, Open Tuningsacoustic guitar, alternate tunings, blue sky guitar, Drop D, Drop D lesson, fingerstyle guitar, nick borho, Taylor 412ce-R, taylor grand concert

This lesson shows you how to tune your guitar to Drop D tuning, which from low to high (in pitch) is D-A-D-G-B-E. Drop D is the most common alternate tuning – any tuning other than Standard tuning – and differs from standard only on the sixth string, which is tuned down (or dropped) to D. Open D is great for playing songs in the keys of D, A, and G. The tuning has been used by all types of players in all genres for all types of songs, but folkies and hard rock/metal people probably use it the most. You also see Drop D used in a decent number of guitar arrangements in classical music.

OPEN 106 • Playing Chords in Drop D Tuning

Fingerstyle, Open Tuningsacoustic guitar, alternate tunings, blue sky guitar, Drop D, Drop D chords, Drop D lesson, fingerstyle guitar, nick borho, Taylor 412ce-R, taylor grand concert

This lesson shows you how to play some chords in Drop D tuning, including how to adapt shapes you already know from standard tuning. Basically, notes you see on the sixth string in standard tuning are moved up two frets when you’re tuned to Drop D. This can mean slightly revoicing the chord – for example, leaving the 5th string out of some common chord voicings.

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Slack Key and Fingerstyle Guitar