“Meadows” is a slack key song I wrote during a full moon in Kailua-Kona. I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean. Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.
Here’s a recently found recording where I’m improvising some ideas around Leonard Kwan’s classic slack key song Opihi Moemoe. One of the most popular songs in the slack key repertoire, this song has been covered by everyone from Ledward Kaapana to Chet Atkins. Opihi MoeMoe is a fun piece that lends itself well to improvised variations, and everyone seems to bring something a little different to this deceptively simple song. Hope you enjoy.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir HD Light gauge set) and an Ear Trumpet Labs “Edwina” microphone.
Here is an alternate take of the Bach Cello Prelude (BWV 1007) on guitar. I fell in love with the Pablo Casals recordings of the Bach cello suites a few years back. The prelude to the first suite is oft adapted for guitar, but it’s still a great piece to play. Hope you enjoy.
Recorded with a Taylor 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Neumann TLM 102 microphone.
Here is a fingerstyle cover of “Every Breath You Take,” the hypnotic signature tune from The Police. Many stories surround the writing, recording, and subsequent success of the song – for example one interesting tidbit is that Sting apparently wrote the song while sitting at Ian Fleming’s writing desk on his famous Goldeneye estate in Jamaica. With its classic guitar part, “Every Breath” has a mellow / dreamy feel seemingly at odds with its borderline creepy lyrics – though some may find the song is a tad less sinister as an instrumental 🙂 Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) a single Beyerdynamic MC 930 microphone in Honolulu, Hawai’i 8/25/14.
Here is an alternate take of a slack key song I wrote called “Fronds in the Wind.” Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i 11/23/15.
Here is another improv I recorded on a Pono tenor ukulele. Hope you enjoy.
Recorded with a Pono Acacia Tenor Deluxe (ATD) ukulele and a Telefunken M60 microphone.
“Meadows” is an original song I wrote during a full moon in Kailua-Kona. I think the song was influenced by the night air and night sounds – the occasional chirp of geckos, the distant sounds of traffic on Mamalahoa Highway and the waves in the ocean. This version was probably recorded within a year of when I wrote it. Hope you enjoy.
Recorded with a Taylor 310ce (Sapele/Spruce, Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 10/9/07.
Here is an early version of my song “Fair Wind,” recorded not long after I wrote it. There is a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir strings) and a Line Audio CM4 microphone.
For your listening pleasure here is a collection of Ki Ho’alu a/k/a Hawaiian Slack Key guitar instrumentals. This compilation includes both energetic and relaxed tunes, though I’d say the overall vibe is relaxing. I like to listen to some of those longer “relaxing music” videos while working on the computer and became inspired to produce some videos featuring my own performances. Hope you enjoy.
Here is a remix of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.