One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar. This is an alternate take of my fingerstyle arrangement of the song. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i .
Here’s another take of “Crossing the Field,” a song from my “Awake Again” album. “Crossing the Field” was recorded as part of a pair of songs (along with its companion song, “Moment in the Sun”) to set the stage for the second half of the album. Following the dramatic strumming of “Make” that closed the first half of the album, “Moment” & “Field” framed the mellower vibe of the album’s remaining songs. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i.
Today’s song from the vaults is Dive In, which I recall as being inspired by Celtic and Bluegrass fiddle tunes, but it also has some distinctly guitar-ish strumming and rhythms. “Dive In” is a track from a project I had called Signs Music Has Changed Your Life. Hope you enjoy.
Today’s song from the vaults is Cat Nap Afternoon – a mellow, harmonic laden song with a few little strange notes sprinkled here and there to keep it interesting. Hope you enjoy.
Here is a more recent version of my song “Fair Wind.” The song is named for a boat of the same name that ran snorkel / dive cruises to Kealakekua Bay out of Keauhou Bay – still does – and my parents took me and my friends for a cruise on it for a number of my birthdays.
Recorded with a 912ce (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD Light strings) and a Line Audio CM4 microphone.
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This is an alternate version recorded on my Taylor K22ce.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb 80/20 Bronze HD gauge set) and a Telefunken M60 microphone.
Here’s an alternate take of my arrangement of the Springsteen classic I’m on Fire. This is a really cool little song – almost a sketch at under 3 minutes long, but it really creates a great atmosphere in that short amount of time. Hope you enjoy.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawai’i 2/26/15.
Alternately titled “Paia Morning” or “Paia Kakahiaka,” the song “Morning in Paia” began life as the harmonic laden intro/outro figure and grew into the mellow yet energetic song here. Paia Morning captures some of the mellow yet entrancing vibes of a morning in Paia, Maui: you start out strolling the sidewalks – still sparsely populated this time of day – perhaps pick up some fresh fruit from Mana Foods while catching a little bit of local news at the North Shore outpost, or head up the road a short ways to Island Fresh Café for some breakfast nosh. Next, travel back down the road to grab coffee at Paia Bay Coffee or Anthony’s, maybe taking a meditative stroll along the sand at Paia Bay before wrapping up with lunch at Flatbread Company or Café des Amis. Hope you enjoy.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Telefunken M60 small diaphragm condenser microphone.
Here’s an isolated track that I recorded for a collaboration a few years ago. That particular collaboration didn’t end up coming together, so I thought I would release this track as a stand alone piece. Hope you enjoy.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Line Audio CM4 microphone.
Bron-Yr-Aur is probably my favorite Led Zeppelin acoustic song. Written by Jimmy Page about a tranquil cottage in the Welsh countryside, the song is meditative and bucolic; it always puts me in a different place whenever I hear it or play it. This version was recorded on my Taylor K22ce.
Recorded with a Taylor K22ce (solid koa grand concert with Elixir Nanoweb 80/20 Bronze HD gauge set) and a Telefunken M60 microphone.