This short piece was recorded to provide a final track for my “Awake Again” project. The outro echoes the intro’s use of harmonics and changing of the guitar’s tuning during the piece. It’s short, but provides a few sweet phrases to close the album. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 6/20/09.
This is another improvisatory piece recorded for my “Awake Again” project, which included a handful of songs that were connected by mostly shorter and improvisatory ‘transitions’ such as this. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 3/1/09.
Bull by the Horns is a longer folk fingerpicking piece from my “Awake Again” project. I don’t often use a capo, but sometimes it’s nice to have that bright, chimey sound and snappy playability you get from moving up the neck. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 2/14/09.
Here is a version of my song “Ohio River Rag” recorded for the Awake Again project. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 3/1/09.
Here is a version of my song “Morning and Night” recorded for the Awake Again project. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 6/20/09.
Dust Yourself Off is a slack key influenced fingerstyle song from my Awake Again project. I hear the song as imbued with a sense of renewal and starting a new journey. This was to be the first full length song in the setlist, preceded by only a brief instrumental introduction. Hope you enjoy.
Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM141 microphones in Holualoa, Hawai’i, 2/24/09.
Here is an alternate take of my fingerstyle rendition of Eric Clapton’s Wonderful Tonight. Eric wrote the song about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.
Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone in Honolulu, Hawaii 4/27/15.
Today’s song from the vaults, Brownsboro Rd., is one of the earlier fingerstyle songs that I wrote. The recording was made in an attic apartment with the windows open on a warm night and features the sound of crickets in the background. Brownsboro Road was the second track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.
Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.
Here’s a demo of a song I wrote on electric guitar a while back. Then, as now, I played and recorded mostly acoustic fingerstyle tunes. This is one of a relatively few demos I made on electric guitar from that period in time. Hope you enjoy.
Setup is a late 90’s Fender Jimmie Vaughan Stratocaster, through a Keeley tubescreamer (either a TS9 or a TS808) into a 1968 Fender VibroChamp. Recorded in Kailua-Kona, Hawaii on 5/3/06.
Today’s song from the vaults, Raindrops, starts with the eponymous sound effect of individual raindrops made on the guitar. The rest of the song features recordings I made of light rain and a storm as a backdrop for the song. Raindrops was the closing track on a project I had called Signs Music Has Changed Your Life. Hope you enjoy.
Recorded in Louisville, KY. Mixed and mastered by Kevin Ratterman.