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LIVE 026 • Keiki Slack Key on Nylon String Guitar

Acoustic, Fingerstyle, Live, Open Tunings, Slack Key, , , , , , , , , , , , , , ,

Today’s song is a cover of the Ray Kane classic “Keiki Slack Key” (not to be confused with the Sonny Chillingworth song of the same name). To me, Ray Kane is probably the best example of an ‘old style’ slack key player, and his tracks are always nahenahe. I never got to take a lesson from Ray, though I did get to speak to him and his wife Elodia on the phone once, not long before he passed – a cherished memory. Keiki Slack Key is one of the first slack key songs I transcribed, and has stayed on my setlists ever since. This arrangement was inspired by my recent purchase of a nylon string guitar; I really think this song works well on nylon for a number of reasons. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce nylon string) and a Neumann TLM 102 microphone.

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Magic Sands

LIVE 025 • Is There Anybody Out There? by Pink Floyd

Acoustic, Classic Rock, Fingerstyle, Live, , , , , , , , ,

Appearing as an interlude on The Wall, here is the guitar part from the end of Is There Anybody Out There? Originally done on a nylon string guitar, I think this song works well (and like it a little better) on steel string. This is one of the first songs I learned on guitar from one of my first guitar teachers. Years later, I taught the arrangement to some of my students – both using a pick and fingerstyle. It’s a great moody instrumental, and an arguably underappreciated acoustic piece from the classic rock canon. Hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, Gotoh 510 tuners, strings are Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

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LIVE 024 • Study in Em – Francisco Tárrega

Acoustic, Fingerstyle, Live, , , , , , , , , ,

Study in Em – Francisco Tárrega – Nylon String

Here is my take on a Study in Em by Francisco Tárrega. This is a song I have taught in the past to students interested in learning a little fingerstyle or classical. To make the arrangement a little more fun for some students, I took some liberties and added a few flourishes here and there. This version of the study has also found its way onto some of my setlists over the years. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce nylon string) and a Neumann TLM 102 microphone.

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Lágrima by Francisco Tárrega

Tranquility – fingerstyle on nylon string guitar

LIVE 023 • Horn – Nick Drake Cover on Nylon String Guitar

Classic Rock, Fingerstyle, Live, Open Tunings, , , , , , , , , , , ,

Appearing as a sort of interlude on the Pink Moon album, Horn is a fascinating little study of a song in its own right. I love the simple melody and the atmosphere created by the space between the notes. I also really like the way this song works on nylon string guitar. (Apologies for the intonation in places – still getting a feel for this guitar and nylon again.) Of course, Drake apparently used really old, beat up steel strings, so his guitar work translates well to nylon. I don’t know what it is about the deceptively simple genius of his guitar parts, but they get me every time. Hope you enjoy.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce nylon string) and a Neumann TLM 102 microphone.

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Tranquility – fingerstyle on nylon string guitar

Pua Lililehua – Slack Key Guitar

GEAR 532 • Taylor 414ce-NR through a Fishman Loudbox Artist

Amps, Fingerstyle, Gear, Open Tunings, Slack Key, , , , , , , , , , ,

Here is a video featuring a couple of relatively recent purchases for me – a Taylor 414ce-NR (nylon string, rosewood/sitka) and a Fishman Loudbox Artist. This is meant to serve as a sound demo for what the Loudbox sounds like with a nylon string guitar and what the Taylor nylon pick-up (ES-N, not the ES2) sounds like. I close miked the amp to get a truer representation, but you get a little bit more open sound when you hear it from across the room.

Recorded with a Taylor 414ce-NR (Rosewood/Spruce nylon string) into a Fishman Loudbox Artist amp miked with a Sennheiser e906 dynamic microphone. Reverb is from the amp, not an added effect.

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Tranquility – fingerstyle on nylon string guitar

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LIVE 022 • Tranquility – original fingerstyle on nylon string guitar

Fingerstyle, Live, Open Tunings, , , , , ,

Up until now, you’ve mostly heard me play steel string acoustic guitar. “Tranquility” is a song I recorded a years back on nylon string guitar. It’s a mellow, contemplative, and relaxing song. My friend Chris in Kona (no slouch on guitar himself) says it’s his favorite thing he’s heard me do. With that vote, I thought I would dig this out from the vaults for you.
Anyway, I haven’t had a nylon string guitar for going on 10 years… up until recently that is. I’ve made several recordings with it so far, and I hope to have them edited and posted before long. Meanwhile, please enjoy this song.

All rights reserved to this song, however students may perform it in public.

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LIVE 021 • Sarah – Solo Acoustic Guitar

Live, ,

Here is a song from the vaults called “Sarah”. I wrote and recorded this song quite a few years ago and recently listened to it for the first time in years when I dug out an old CD. I forgot how much I was into tapping on the guitar, including trying to harmonize myself – something I hardly ever do anymore… must have been listening to a lot of Victor Wooten that year. (Show of Hands anyone?) Anyway, it’s kind of an interesting song, though I don’t plan to revive it for my setlist anytime soon. 🙂 Hope you enjoy.

All rights reserved to this song, however students may perform it in public.

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Blue Bells

Make

LIVE 020 • Make (Demo)

Blue Sky Guitar, Live, , , , , ,

Here is a strum intensive song from the vaults called “Make”. The louder strumming in this song was meant to provide a counterpoint to some of the mellower fingerstyle and slack key songs I was playing at the time. I recorded this while living in an ohana unit with a large, tiled room that I kept mostly empty because I enjoyed the acoustics. (Plus, I didn’t own a lot of furniture.) Hope you enjoy.

Recorded with a Taylor 310ce (Elixir Polyweb 80/20 Bronze) and a matched stereo pair of Shure KSM 141 microphones in Holualoa, Hawai’i, 3/19/08.

All rights reserved to this song, however students may perform it in public.

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Pua Lililehua – Slack Key Guitar

Magic Sands

LIVE 019 • Blue Bells (Demo, Open Tuned Electric Guitar)

Fingerstyle, Live, Open Tunings, , , , , , ,

From the vaults, here is a demo of a tune I wrote some years back called Blue Bells. I think this might be the only recording I have of this song, and although it’s not fully finished there’s something I love about this take that made me want to stop working on it for a while. Sometimes you capture a feeling – for yourself alone even – well enough to leave a song be – to come back to it later, or not at all.

Recorded with a late 90’s Olympic White Jimmie Vaughan Stratocaster and a ’68 Fender Vibro Champ with some sort of Boss delay pedal in Kailua-Kona, Hawai’i, 6/18/06.

All rights reserved to this song, however students may perform the song in public.

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Pua Lililehua – Slack Key Guitar

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Here Comes the Sun – fingerstyle guitar arrangement

TIPS 112 • How to Get Your Whammy Bar to Stay in Place

Gear, Tips, , , , ,

This video shows how to use a Q-tip to hold the whammy bar / tremolo arm on a Strat (or other guitar) in place so that it doesn’t dangle. Unlike other methods such as using plumber’s tape, you can set the whammy bar to either stay put or dangle when you’re not using it. This method was apparently invented by Stevie Ray Vaughn’s guitar tech, who used it for years.

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