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SONG 204 • Look at Miss Ohio by Gillian Welch

This is a relatively simple song, but it has some time-tested elements to look at. There are cool ‘folky’ chord grips, a bass walk-down, and a soft yet driving strum. The song structure doesn’t have a lot of moving parts, but it still works. Miss Ohio is from an album called Soul Journey, and has become a staple in the Gillian canon. (If you’re new to Gillian Welch, however, I would recommend checking out the Revelator album first.) Hope you enjoy this lesson.

Another bonus folky grip that didn’t make the video: if you want, you can leave the 5th string out of any/all G chords in this song, and it sounds fine. Use the fleshy part of your 3rd finger (which is holding down the 6th string) to mute the 5th string so it doesn’t ring out.

Also note: in some video performances, you can see that they’re playing this song with a capo on the second fret (i.e. in D instead of C). Of course, if you’re trying to sing & play the song you might want to try different keys using the capo. You could also use the capo to play along with their performances, which is good practice.

Road Map:

00:04 – Play-through & introduction
00:59 – Chords & progression (Verse, Chorus)
05:30 – Progression play-through & count
07:10 – Song structure (to Bridge)
08:17 – Bridge chords & progression
10:04 – Song structure (from Bridge to End)
11:20 – Strumming pattern – Verse & Chorus
13:19 – Strumming pattern – Bridge
14:11 – Parting thoughts

http://www.gillianwelch.com

Live performance of the song:

There are a ton of people who have covered this song, including Miranda Lambert, Counting Crowes, Sarah Jarosz, and Nick Mulvey. Here is an under the-radar version from a pre-Houndmouth Katie Toupin & Matt Meyers:

https://www.youtube.com/watch?v=v31hh6vU7co

SONG 203 • Barcelona by George Ezra

Continuing his series of great songs about European cities that start with the letter “B,” George Ezra gives us a moody song about Barcelona. This is a fun song on guitar, and very manageable if you know a little fingerpicking and don’t mind using an open tuning. If you have some experience on guitar and want to learn some fingerpicking and play in an open tuning for the first time, this would be a good song to try out. I teach the song in Open D, though the recorded version is in the key of F – it looks like George is tuning to open E and putting a capo on the 1st fret. I prefer to tune down to Open D, and you could put the capo on the 3rd fret to get to the key of F. (People who want to sing & play the song can experiment with different keys by moving the capo around.) This is such a fun tune that I’m really looking forward to future songs from George Ezra about Berlin, Bologna, Bordeaux, Brno, Bratislava, Brussels, Bergen… Anyway, hope you have fun with this song.

Part I – Picking patterns, chords, melody, playing through the song

Part II – the solo / instrumental section

Lesson road map:

Part I
00:04 – Play-through
01:12 – Introduction, difficulty level
01:51 – Tuning: Open D, tuning & capo considerations
03:42 – Picking pattern: bass pattern, finger-string assignment
06:50 – Picking pattern: basic picking pattern, rhythm count
08:42 – Verse: chord progression
09:42 – Verse: 1st string melody line
13:21 – Verse: combining 1st string melody w/ picking pattern
16:20 – Verse: play-through with rhythm count
18:09 – Chorus: chord progression
20:19 – Chorus: picking pattern, rhythm count
22:45 – Chorus: play through
23:50 – 2nd Verse is structured differently, play-through
25:00 – Song structure from 2nd chorus through outro
26:42 – Parting thoughts

Part II
00:04 – Play-through & introduction
00:59 – Structure & chord progression
01:37 – Melody notes
05:35 – Play-through of melody over the I chord
06:09 – Combining melody & picking pattern
09:30 – Rhythm & counting through the solo section
11:07 – Play-through with rhythm count
11:59 – Play-through at slower tempo (guitar only)
12:40 – Parting thoughts

Artist website: http://www.georgeezra.com

LIVE 008 • Harvest Moon – by Neil Young

Harvest Moon is the title track from an album Neil Young put out in the early 90’s. It was an era when some of his peers were coasting along, but Neil was doing some of his best work. (Ok, not the Ditch Trilogy, but still some good stuff.) I thought it would be a fun song to arrange; hope you enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

All rights reserved to this arrangement, however students may perform the arrangement in public.

SONG 202 • Then Came The Morning by The Lone Bellow

Here is my lesson for Then Came the Morning by The Lone Bellow. This is on the hard side of beginner (there are some bar chords) and I also go through some easy side of intermediate material. The song is relatively simple, but not too straight forward: it has a 6/8 time signature, uses a capo on the 1st fret, and the song structure is a little unusual. We can also add some cool intermediate chord voicings and fills, which make the song more interesting. So overall, this one is not too hard but there are still a lot of great concepts to touch on.

Lesson road map:
0:00 – song preview / lesson overview
1:30 – time signature, basic feel / strumming, capo
3:54 – beginner intro / chorus
4:51 – beginner verse & chords
6:40 – song structure up to bridge, playing through the verse
7:56 – beginner bridge, playing through the bridge
9:35 – outro & chords
11:50 – playing trough the outro
12:27 – intermediate intro (piano pick-up phrase)
13:54 – intermediate intro / chorus chord voicings
16:17 – playing through the chorus with intermediate chords
17:15 – intermediate chorus: more things you can add
18:35 – playing through the chorus w/ intermediate chords & extras
19:09 – intermediate verse & chords
21:35 – playing through intermediate verse
22:20 – intermediate bridge, play through
23:32 – verse guitar fills, play through

band website – http://www.thelonebellow.com

“Live” video:

SONG 201 • Archie, Marry Me by Alvvays

Ok, I’ve been wanting to do a lesson on “Archie, Marry Me” by Canadian band Alvvays for a while and finally got a video together. “Archie” is a beginner level song, though anyone can have fun playing it. Since the chord progression is simple, I try to cover some basic strumming as well as a couple transitional rhythmic cues. I also cover how to play the cool intro which is not super hard, despite having what sounds like a half diminished chord. 🙂 The song is fun, catchy, and Ben Gibbard covered it.

Lesson road map:
Chords – 0:52
Strumming – 3:19
Rhythmic transitions – 4:49
Dsus2 riff – 7:20
Song structure / Bridge / Ending – 11:36
Intro riff – 14:00
Intro: variation – 18:32

band website – http://alvvays.com

Original video:

Ben Gibbard cover:

LIVE 007 • Here Comes the Sun – by The Beatles / George Harrison

One of the classic George Harrison songs from the Abbey Road album, Here Comes the Sun is a bright, happy tune that sounds great on acoustic guitar. This fingerstyle arrangement is my take on the song – instead of opting for the bright sounds of a capo-ed guitar, I went for the sonorous tones of an open tuning. Despite the lower voice, I think the arrangement still sounds sunny. Enjoy.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

All rights reserved to this arrangement, however students may perform the arrangement in public.

Fun fact – Harrison wrote this song while walking around Eric Clapton’s garden on a sunny day in spring 1969.

LIVE 006 • Morning Moon

Morning Moon is a combination of two existing ideas, the first being a song I wrote shortly after watching a lunar eclipse. The second idea came years later, resulting in a song with different interweaving parts. The more energetic latter part of the song is a take on some of the ideas in the mellower first part, taking the song in a different direction. I decided to call the song Morning Moon after looking at the still-visible moon one morning, well after daylight.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

All rights reserved to this song, however students may perform the song in public.

TIPS 105 • Try Nickel Strings (& Bullets, If You Have a Strat)

The overall theme of this video is that you should try some different strings on your electric guitar, even if (or especially if) you’ve been using the same type for a while. I focus here on two often overlooked string types: pure nickel strings and (if you have a Strat) Fender Bullets.
Electric guitar strings typically have plain steel treble strings (1st, 2nd, 3rd) and wound bass strings with a steel core (4th, 5th, 6th). The winding can be done with various alloys, including pure steel, nickel coated steel (warmer), and pure nickel (warmest). Back in the 50’s and 60’s, strings were made with pure nickel wraps, so their warm sound is often associated with classic rock, blues, and vintage tone in general. It can be a great choice for garage rock or other styles as well. Nickel strings are great for warming up bright sounding guitars like Strats and Teles, and as a side benefit they tend to last longer than other types of strings.
Fender makes a variety of strings with ball-ends (the standard for guitar), but also makes specialized bullet-end strings for Stratocaster guitars with floating tremolos. The bullet ends fit snugly into the Strat tailpiece and give you better tuning stability, more sustain, and supposedly less string breakage. While I haven’t had an issue with breaking strings, I did find that these strings gave me slightly better tuning stability and sustain, however the trade off is a stiffer feel and slightly less dynamics. If you have a Strat with a tremolo (most Strats), you might try these out to see what you think. Also note, they will not work on other types of guitars as the bullet ends are too big for Gibson style tailpieces, string-through-body Teles, etc.
So, go ahead and try some different strings on your electric guitar. 🙂

DR Pure Blues: http://www.drstrings.com/#!pure-blues/c1qm6

Fender Bullets (Pure Nickel, for Stratocasters Only): http://www.fender.com/accessories/strings/3150-original-bullets—pure-nickel-bullet-ends/product-0733150.html

Ernie Ball Pure Nickel: http://www.ernieball.com/products/electric-guitar-strings/1697/classic-pure-nickel-super-slinky

GHS Burnished Nickel: http://www.ghsstrings.com/products/11348-burnished-nickel-rockerstm?category_id=1964702-burnished-nickel-rockerstm

… there are lots of others out there, so try them out.

TIPS 104 • Use a Thumbpick

If you’ve never really tried one for an extended period of time, you should use a thumbpick for several months to see what it’s like. Of course you can play fingserstyle with a thumbpick, but you can also hold it like a flatpick for strumming chords and playing single note runs. Try wearing one for a couple of months, and just hold it like a flatpick most of the time. After a while, you’ll find that you are using a combination of playing with your fingers and holding it like a flatpick – the best of both worlds.

Using a thumbpick is obviously great for folk / fingerstyle on acoustic guitar, but you can also use it on electric guitar to great effect. The thumbpick lends itself to roots music of all sorts, including blues and country. Chords come alive with dynamic control in jazz, and riffs can really pop when you’re playing rock. Even bluegrass – that traditional bastion of flatpick on guitar – can benefit from a thumbpick… and as mentioned you can still flatpick with it.

For the most part, you don’t give up much when using a thumbpick as a flatpick, though certain techniques like picking/pinch harmonics won’t come off the same way. You may not be able to get quite the same dynamics, but overall what you gain will probably be more useful. (As another bonus, because a thumbpick is secured to your thumb, you won’t drop it.)

As noted in the video, I prefer Fred Kelly’s Delrin Slick Picks – generally using medium for acoustic, and heavy for electric. These picks have a snug fit which may feel too tight at first, but they do loosen up a bit after you wear them for a while. They also make a ‘large’ size version of the pick, and of course there are many other brands / styles that fit differently which you can try. (One trick – that may not work with all pick materials – is to run them under hot water for a while, and then you can loosen / tighten the fit.) Use your common sense and intution – obviously avoid thumbpicks that are outright painful, but be willing to try out ones that are merely uncomfortable for a while, potentially adjusting them, to see how you like them.

One final note – generally I do not recommend thumbpicks for beginners unless they only want to do fingerstyle guitar. I think it’s better to develop your technique with a flatpick and then add a thumbpick later on. I may change my mind on this in the future, but for now that’s how I feel.

Fred Kelly page for Delrin Slick Picks – http://fredkellypicks.com/product/delrin-slick/
Note – this page is more for reference. To order Fred Kelly picks a few at a time, try the Elderly link below. They also have other brands / styles you can try.

If you want to try out different picks and just order a few at a time, Elderly has a great selection – http://elderly.com/accessories/cats/PKTB.html It might be good to order several different sizes / shapes styles to see what you like.

LIVE 005 • Wonderful Tonight by Eric Clapton

Wonderful Tonight was written by Eric Clapton about his then-wife Pattie Boyd, who had already inspired great songs from Eric and previous husband George Harrison. This song has been the theme to many a high school prom, and its simple yet tasteful melody has held up over the years. In keeping with that, my arrangement here is fairly straight forward: it doesn’t move around the neck very much or have any unusual chord voicings. Hope you enjoy it.

Recorded with a Taylor 412ce LTD (Rosewood/Spruce, with Elixir Nanoweb Phosphor Bronze HD gauge set) and a Neumann TLM 102 microphone.

All rights reserved to this arrangement, however students may perform the arrangement in public.

Coincidentally, I also did a lesson on Eric’s break-up song with Pattie, here.